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I was out of commission for a couple of weeks this month, so I didn’t get a chance to write up all my zine reviews. I did get all my reading done, however, and I must say it was an odd month for short fiction. I found myself underwhelmed by several reliably good periodicals: Shimmer, Fireside, Apex, Uncanny, Beneath Ceaseless Skies, Tor.com – there were some interesting stories here and there, but also a lot of meh, and not a single rec from among them. The good stuff, though, was really good.
“A Song of Home, the Organ Grinds”, James Beamon (Lightspeed Magazine Issue 98, July 2018) Short Story
War between Turkey and Russia rages on in this 19th century steampunk adventure. Aboard the Turkish airship Kismet, organ grinder Hezarfen plays patriotic songs while sending his platoon of zombie attack monkeys to board enemy ships. 14-year-old Oz tends to the monkeys, though he is terrified of them. He is terrified of most things in fact, and looks forward to becoming a man at 15, when he assumes he will find his courage. “A Song of Home, the Organ Grinds” is vibrant for a war story, but no less perturbing. Hezarfen is fully invested in the torment and turmoil of bloody conflict, evincing a casual yet imperious cruelty toward Oz and the monkeys. The Kismet’s climactic battle with the Russian flagship Voina Gulag is a masterful crescendo, spiked with a precise and potent dose of dramatic irony.
“Gubbinal”, Lavie Tidhar (Clarkesworld Magazine Issue 142, July 2018) Short Story
Wallace Steven’s famous poem “Gubbinal” admonishes those who lack the imagination to see beauty in the world, with its repeated refrain “Have it your way/The world is ugly/And the people are sad”. Sahar, the hero of Lavie Tidhar’s story of the same name, is looking to escape the “endless chatter of grunting and farting and laughing and shouting” in Titan’s human habitat, to explore the “beautiful untamed music of the moon.” Her adventure takes her across a dangerous, unforgiving landscape full of astounding creatures, deadly pirates and impossible artifacts. The lunkheads back home can have it their way; in Tidhar’s hands, the world is anything but ugly or sad.
“This Isn’t Better”, Rebecca Birch (Galaxy’s Edge, July/August 2018) Short Story
Caleb mostly hides away from the endless shouting matches between his mother and his stepdad, until he discovers that he can take care of his problems by writing them down in his journal, then burning the page. This power has unintended consequences, and soon Caleb realizes he can use it to burn away his own humanity if he chooses to. This is one of those stories that made me want to read it again right away. “This Isn’t Better” is told in terse prose, packed solid with the anxiety and self-loathing that children raised in toxic households must endure.
“A Stab of the Knife”, Adam-Troy Castro (Analog Science Fiction and Fact, July/August 2018) Novella
I’ve been looking forward to this AIsource Infection team-up between the driven and damaged councilor Andrea Cort and the equally headstrong superspy Draiken since it was teased at the end of the last Draiken story, “Blurred Lives.” Cort has information Draiken needs to find the men he wants to bring to justice, so when he arrives in New London, he stakes her out like any good spy would. Their first encounter, in which Cort easily sniffs out and traps her pursuer, more than lived up to my expectations with electric tension and crackling dialogue. The two form a tentative truce, but once Draiken becomes entangled in the Byzantine workings of Cort’s world, he discovers he may not survive long enough to get what he needs from her. “A Stab of the Knife” isn’t quite among the best of the Cort stories, nor is it the best of the Draiken cycle, but the giddy buzz I felt from the start is sustained throughout, and the breakneck action of the second half (along with all the cool gadgets) pays dividends.
“The Percivals: The Bennett Benefit”, Eboni J. Dunbar (FIYAH Literary Magazine Issue 7, Summer 2018) Short Story
Think Downton Abbey with vampires (!!!). Eboni J. Dunbar’s “The Percivals: The Bennett Benefit” finds the famous “Diva extraordinaire” Anna Maria Percival playing a benefit concert in the provincial Hampshire House, home of Mr. and Mrs. Andrew Bennett. The concert is just a ruse: Mrs. Percival and her sister-in-law Eleanor are vampire hunters, and Mr. Bennett suspects his brother Henry may have been turned. It seems Mrs. Percival’s music has the power to hypnotize an audience of the living, as well as beckon the living dead to her. “The Percivals: The Bennett Benefit” is near-perfect balance of lush setting and incisive character detail, leading to a suspenseful and exciting climax. I humbly request the author revisit this world in future stories.
“Lieutenant Tightass”, Kristine Kathryn Rusch (Asimov’s Science Fiction, July/August 2018) Novelette
A new entry in Rusch’s Diving series – this takes place long before the other stories and novels and is an easy entry point for the uninitiated. Well before he became captain of the Ivoire, Jonathan “Coop” Cooper was a newly minted lieutenant assigned to the Arama, a search and rescue vessel for other ships that get lost in foldspace – a depressing and mostly fruitless endeavor, as ships lost in foldspace are almost never recovered. The Voimakas is one such ship, and Coop has a daring new theory about how to recover it. His only problem is getting Captain Nisen, who flaunts fleet regulations and mercilessly harangues him with the titular nickname (and encourages the rest of her crew to do the same), to mount a dangerous rescue based on his calculations. “Lieutenant Tightass” has the kind of kinetic plotting and tense action we’ve come to expect from procedural SF master Rusch. The ending labors the “point” a little too much, and the point being that Nisen’s bullying is for Coop’s own good makes it a tough sell. It’s a thrilling tale up to then, and the climactic rescue attempt is a knockout.
“Yard Dog”, Tade Thompson (FIYAH Literary Magazine Issue 7, Summer 2018) Short Story
Saucy Sue’s is a jazz club where only serious musicians dare to play; when a mysterious new stranger called Yard Dog is finally given the chance to prove his chops, he doesn’t just bring the house down, he reduces the room to tears. More than that, the drinks turn sour and “the drug fiends even said there was no dragon to chase.” Then Yard Dog’s “brother” starts hanging around the club, beckoning him to return home. “Yard Dog” gradually modulates from a macabre eeriness to a sublime, metaphysical terror in its expression of a music too resplendent for the mortal world. I especially liked the narrator’s sharp, penetrating voice.
“Rules of Biology”, Dale Bailey (Asimov’s Science Fiction, July/August 2018) Short Story
A Twilight Zone-ish fable about an absent father whose teenage daughter begins exhibiting the genetic characteristics of the man who has taken his place as the head of the household.
“Morbier”, R.S. Benedict (The Magazine of Fantasy and Science Fiction, July/August 2018) Short Story
Trish falls in love with Mara at first sight and gets her a job at the country club where she works. Trish assumes Mara is a little cuckoo when she claims to be a time traveler from the year 2093, and conveniently overlooks evidence it may be true. The setting and characters foster a light, fun vibe from the get go; eventually the non-linear structure and Mara’s behavioral cues portend a La Jetée-style tragedy.
“Greetings, Humanity! Welcome to Your Choice of Species”, Adam-Troy Castro (Lightspeed Magazine Issue 98, July 2018) Short Story
One of Castro’s acerbic humor pieces – The Exalted High Tribunal of the Interstellar Commission on the Minimum Standards of Indigenous Cultures has deemed humanity unworthy of existence and is prepared to reassign us to a different species.
“Conceit and Capability”, Deborah L. Davitt (Galaxy’s Edge, July/August 2018) Short Story
A riff on the famous opening sentence of Pride and Prejudice leads to a sly send-up of male hubris. When Matilda joins her brother on an expedition to find a dragon she must contend with her sibling’s comically absurd self-regard, along with whatever creature they might discover.
“Left to Take the Lead”, Marissa Lingen (Analog Science Fiction and Fact, July/August 2018) Novelette
One of the author’s Oort cloud stories. Holly must work as an indenture on earth as her down-on-their-luck family tries to gather the funds to bring everyone together again. Lingen’s story cycle often centers around the idea of how humanity’s colonization of the solar system changes how the concept of family is perceived by different groups of people, and this is one of the most moving examples.
“The James Machine”, Kate Osias (Clarkesworld Magazine Issue 142, July 2018) Short Story
Cat built an AI out of her dying husband’s memories and personality, but the result isn’t quite what she expected. A smart and measured take on the grief of losing a spouse.
“Stones in the Water, Cottage on the Mountain”, Suzanne Palmer (Asimov’s Science Fiction, July/August 2018) Short Story
Multiple apocalypses in multiple timelines seem bent on stopping a woman from reaching her destination. Palmer devises several very creative end-of-the-world scenarios, and I always enjoy the bitterly funny tone of her tales.
“Visible Cities”, Rachel Pollack (The Magazine of Fantasy and Science Fiction, July/August 2018) Novelette
A bittersweet, lyrical side story in Pollack’s Jack Shade series, focusing on the origin story of the traveler Carolien, who goes on a magic-tinged hunt for her teacher when he abruptly disappears. Worth a look even if you haven’t read the other Shade tales yet.
“Eyes That Linger”, D.A. Xiaolin Spires (Galaxy’s Edge, July/August 2018) Short Story
A spooky little tale of mad science about a PI investigating people who have eyes and other organs grafted onto various appendages.
“Sister Rosetta Tharpe and Memphis Minnie Sing the Stumps Down”, Lashawn M. Wanak (FIYAH Literary Magazine Issue 7, Summer 2018) Novelette
1930s America is beset by a sporous pandemic that turns people into wood-like “stumps.” Singers (especially Black singers) are conscripted into the service of the SPC (Stump Prevention Control), because only by hitting a certain, very difficult note, can they coax the stumps to release their spores under quarantine, thereby rendering the stumps inert. A rollicking alt-history romp featuring succinct social commentary about the exploitation of Black musicians by white American culture.