Featured Image from the Cover Art for Augur Magazine issue 2.1, by Janice Liu
“Clear as Quartz, Sharp as Flint”, by Maria Haskins (Augur Issue 2.1, April 2019) Short Story
Jenna can hear the stones singing to her, much to the chagrin of her Grammy, who prays to the wooden god. “She heard that same song the day the baby quickened. Heard it again when Grammy laid her hands on her belly, shaking her head, muttering of ill-made children, saying that the stones would claim what the wooden god would not.” Maria Haskins’ dark fables often remind me of the classic films of F.W. Murnau and Carl Theodor Dreyer in her ability to distill the act of storytelling into pure emotion and bald imagery, displayed in acute yet elegant compositions. The title of this story is a more apt description of what it does than what it’s about, as it feels far brighter and deeper than its 1000 words should allow.
“An Open Coffin”, by H. Pueyo (The Dark Issue 47, April 2019) Short Story
Amélia goes to work for General Estiano to care for a corpse that resides at his house. The corpse has been on display for decades and attracts many devotees, who appear daily to fawn over it. “You must always let them in,” one servant tells her. “Don’t ask too many questions.” Brazilian author Pueyo uses classic literary devices to build her story—red herring, unreliable narrator, foreshadowing—while its reality unspools like a waking nightmare. It’s a sinister cautionary tale about the noxious behavior that ensues when people fall into the nostalgia trap.
“How to Move Spheres and Influence People”, by Marko Kloos (Tor.com, 27 March 2019) Novelette
A new entry in GRRM’s Wildcards universe, this novelette tells the origin story of T.K., a teenager will partial left-side paralysis who gets picked on at PE by the mean girls. Her “card turns” one day during class and she discovers she has the power to control spherical objects with her mind. Her squeamishness after engaging in a mild act of revenge convinces her she’s better off just using her powers for good. That opens its own can of worms once the opportunity presents itself. Kloos built his reputation on military SF, but here he shows that his skillful plotting and ability to craft believable, relatable protagonists crosses over to other genres. The not-so-subtle ways T.K.’s tormentors bully her without running afoul of school authorities is effectively done. Context clues abound, so readers new to the Wildcards premise shouldn’t have any trouble getting the gist.
“In That Place She Grows a Garden”, by Del Sandeen (FIYAH Literary Magazine Issue 10, Spring 2019) Short Story
Rayven is one of the few black students among a sea of white faces at Queen Mary Catholic High School. She’s proud of her four-years-in-the-making locs, but when the new principal Mrs. McGee takes office, she declares that Rayven’s hair violates the dress code and makes her cut them off. Soon after, a flower sprouts from Rayven’s scalp, followed by an entire garden. And this garden doesn’t let anyone mess with it. Del Sandeen’s fabulist piece finds the right balance between pragmatism and the uncanny. The precariousness of Rayven’s circumstances give the reader plenty of reasons to root for her and she doesn’t disappoint, even when the people who should support her let her down.
“Gaze of Robot, Gaze of Bird”, by Eric Schwitzgebel (Clarkesworld Issue 151, April 2019) Short Story
After a 95,000 year journey, robot J11-L arrives at the planet it was sent to terraform ahead of the generation ships that left earth. But those ships died off millennia ago, so instead J11-L fashions new life from the likeness of its only companion, a stuffed toy it calls “Monkey”. But even engineered evolution takes a long time to perfect. Thoughtful, gentle, optimistic sci-fi in the classic mold.
“A Conch-Shell’s Notes” by Shweta Adhyam (Lightspeed Issue 107, April 2019) Short Story
A crafty and engaging story about a village called Peacetown whose residents make their choices based on the whisperings of a magical conch-shell. Fruit-seller Kwai goes off on a magical adventure, while the shell’s advice pushes cookware vendor Var to become mayor. Shai is a fruit harvester caught in between the two men’s destinies and forced to question whether the conch-shell’s instigations really benefit anyone.
“Everything Rising, Everything Starting Again”, by Sarah Brooks (Interzone #280, March 2019) Short Story
In this slow-burning apocalypse, people are dying en masse for unknown reasons, their souls turning into black butterflies and flying away. The oddly casual tone of the story, as the narrator wonders and worries and which family and friends she will lose next, is captivating.
“No Late-For-School”, by Shari Paul (FIYAH Literary Magazine Issue 10, Spring 2019) Short Story
Shari Paul’s broadly comical “No Late-For-School” is the story of a blogger named Delilah who one day finds a feather growing out of her scalp. Delilah uses a long blog entry to relate the outlandish tale of how she discovered the culprit responsible for her malady. Perfect comic timing and momentum build to an uproarious climax. The story also has some weight to it, as Delilah comes to realize she is in a toxic relationship.
“The One Before Scheherazade”, by Bianca Sayan (Augur Issue 2.1, April 2019) Short Story
As the title suggests, this is the story of the girl chosen to be queen-for-a-night right before Scheherazade captivates the King with her tales for 1001 successive nights. With one day left to live, she must determine what kind of queen she will be, and how she will be remembered. An ingenious premise and an engrossing character study.