“The Harvest of a Half-Known Life“, by G.V. Anderson (Lightspeed Magazine Issue 109, June 2019) Short Story
Anderson builds an arresting and intricately detailed post-apocalyptic culture where social mores have been re-shaped by climate disaster: technology is taboo, for example, but harvesting the flesh of the dead has a vital role in sustainable living. The narrator – verbally called “Gwinaelle”, though her true name can only be conveyed in sign – is caught between the life that has been planned out for her and her yearning to “follow the ghosts” and explore the ruined world. It’s an engaging narrative but what stood out for me was its introspective nature, the onus it placed on the reader to not fall back on easy choices and lazy assumptions.
“Apologia”, by Vajra Chandrasekera (Future Science Fiction Digest Issue 3, June 2019) Short Story
An acerbic take on the commodification of white liberal guilt, wherein a poet is unleashed through time with recording drones in tow to experience firsthand the plight of systemically oppressed peoples, all for the edification of viewers back home. The narrator is the project’s producer, who divines to portray the subject as “our collective finger of condemnation pointed at a mirror, and then holding that pose, turning our heads a little, shifting hips, finding our good side in the light of truth and reconciliation.” That the narrator is aware of their own hypocrisy – perhaps even fetishizes it – is all the more disturbing.
“Late Train”, by Anthony Ha (Lady Churchill’s Rosebud Wristlet no. 39, June 2019) Short Story
While taking a late train home after a night of revelry, three friends have a discomfiting encounter with a homeless woman. The youngest and most naïve of the three unthinkingly invites the woman to overshare the details of her life, a narrative that gets more and more outrageous as it goes and opens them up to a literal multitude of possibilities. The slow build to a mind-expanding climax is well-rendered, and I appreciated the subtle symmetries and synchronicities built into the story’s structure which are especially effective in a second readthrough.
“Bootleg Jesus“, by Tonya Liburd (Diabolical Plots #52B, June 17, 2019) Short Story
The rural town Mara lives in has no magic, so the “unique gifts” that normally manifest in people once they reached a certain age aren’t fostered there. But somehow Mara can activate her “Bootleg Jesus” statuette by asking it a question, and get cryptic yet actionable advice from it. This ability takes on a new urgency when she wishes to save a friend from an abusive situation. I really enjoyed the idea of a world where magic is common except in this one place, and the author uses it to weave a compelling, heartfelt story with empathy and smarts.
“A Forest, or a Tree“, by Tegan Moore (Tor.com, June 26, 2019) Novelette
Small disturbances and unforeseen circumstances pile up to bedevil four friends on a hiking trip in the wilderness, while something uncanny stalks them from the edges of their perception. An odd little horror piece; surreal and spooky with an offbeat aesthetic of arbitrariness to distinguish it. The characters jump off the page from the get go, which is always a good sign.
“Many-Hearted Dog and Heron Who Stepped Past Time“, by Alex Yuschik (Strange Horizons, 6/17/2019) Short Story
Dog and Heron are partners who have “a profitable business stealing things, protecting things, or killing things.” As the title suggests, Heron can move back and forth through time, though they need someone (currently Dog) to anchor them in the timeline. The plot, involving the killing and resurrecting of a magistrate to sniff out a conspiracy, is a bit of a red herring. The story is really about what the titular characters mean to each other, a relationship that is somehow enhanced, rather than hindered, by the fact that one of them experiences it out of order.