I apologize for the brevity and lack of depth in the write-ups, or any mistakes abound. I’m finishing this up late at night from a hospital bed so braining is hard: this month’s list brought to you by oxycodone!
As always if you like what you read, consider paying for an issue or subscription. Even though many of these zines make their publications available to read for free on the internet, they still have writers and staff to pay and rely on income to do so. Please enjoy these great stories!
Parveen’s best friend Aisha falls in with “Benny and his dumb demon cult” who want to get possessed for kicks, but Parveen doesn’t quite fit in with that crowd. The tone of the story is like one long teenage shrug, but gliding under the surface is a desperate adult awareness of time skipping past all our youthful idealism.
“Still Water“, by Ian Muneshwar (Anathema Issue 8, August 2019) Short Story
Miles and Trent are on a couples counselor-inspired jaunt to the wilderness, where their fraying relationship is further tested when their surroundings get a little off-real. A great character study and relationship drama, but what really distinguishes “Still Water” is the slow transgression from its natural setting to a not-quite natural one.
“Your Face“, by Rachel Swirsky (Clarkesworld Issue 155, August 2019) Short Story
Swirsky excels at presenting the reader with a deceptively simple setup, before sneaking up on you with a shiv to the gut. In “Your Face”, a mother talks to a computer scan of her late daughter, wanting to know how much she remembers before she died.
A colorful and powerful story about refugees searching for a new home on a train that is also a squid.
“No Matter“, by Kendra Fortmeyer (Lightspeed Issue 111, August 2019) Short Story
A time traveler drops in on a young married couple, claiming to be his future daughter, but not hers. What could have been nothing more than a one joke premise turns into quite an emotional storm.
“Getaway“, by Jennifer Hudak (Podcastle #585, July 30, 2019) [narrator Jen R. Albert] Short Story
A gut-twisting body horror fantasia about Leena, who swallows some bad lake water while on vacation, and the ensuing illness becomes a blessing in disguise when she discovers she can now escape from her body. Heed the content warnings.
“Verum”, by Storm Humbert (Interzone #282, July/August 2019) Novelette
Rev is losing business to a new verum designer, Gina, whose doses offer users a more immersive experience. Great world-building and characters, and a nice reversal at the end.
“Fare“, by Danny Lore (Fireside Magazine Issue 70, August 2019) Short Story
Deshaun really needs to get to the public kennel, more than his distracted cab driver knows. The “real time” feel of the narrative guides the rising tension.
Set in 1912 in the same alt-history story universe as the author’s A Dead Djinn in Cairo, The Haunting of Tram Car 015 excels on multiple fronts: as a [magical] detective yarn, as a chilling, classically structured haunted house story, and as a vehicle for historian Clark’s speculative re-imagining of modern Egyptian civilization. The story follows Hamed Nasr, an agent for the Ministry of Alchemy, Enchantments and Supernatural Entities, and his eager but inexperienced new partner Onsi and they investigate the titular event. The intricate detail imbued in the story’s setting is the star of the show—I would be happy to get lost wandering the streets of Clark’s Cairo—but that takes nothing away from the wonderful cast of characters and sublime plot execution. The climax is a true nail-biter, with a resolution that resonates. Extra points for a protagonist who can wax anthropological about folklore.
At first, Sarina Dorie’s alien spider love novelette “A Mate Not a Meal” seems like it would be a better fit for Analog’s more character-driven sister magazine Asimov’s. Taking place on a tech-free giant spider planet with a tight 1st person POV of its giant spider protagonist, it’s hard not to wonder for a time how it fits in with Analog’s stated goal to publish “stories in which some aspect of future science or technology is so integral to the plot that, if that aspect were removed, the story would collapse.” It does find its way into Analog’s wheelhouse, though explaining how is too much of a spoiler to reveal here. The spider hero of the story is Malatina, whose mother and sister are murdered and eaten by a male spider who tricked mother into believing he wanted to mate with her. This is a not infrequent occurrence on giant spider world, and Malatina must figure out on her won how to tell the difference between a man who truly loves her and one who just wants to devour her liquified insides. Her dilemma is human-relatable, but also convincingly spidery. The narrative is riveting and suspenseful and harrowing and action-packed and romantic and yes, also full of science that the story couldn’t live without.
The savviest genre authors use conventional story elements to manipulate readers’ expectations. “All the Hidden Places” is the story of Sherman and Nikki, a father and daughter journeying from the Virgin Islands to Sherman’s family home in Michigan through a plague-ravaged America where the infected turn into violent raving lunatics. Sherman is hiding something from his daughter, and if only she can figure out what that is, she would have a better understanding of their circumstances. Skillful tone-setting, subtle atmospherics, and the easy relatability of Sherman’s overprotective father and Nikki’s bright but confused teenager, elevate the familiar setup. What really sets it apart, though, is the interplay of foreshadowing and misdirection, which guides the story to a chilling and inevitable conclusion.
A police detective investigates a finance-related murder with broader social implications. Another of Hartmann’s wonderful stories set on the far-future frontier world of Zephyr; like the others, it stands on its own while rewarding fans of the previous stories. There is a nice little undercurrent of tension between the philosophically minded Inspector Song and her faith-oriented partner that lends the story extra weight.
James can’t deal when his best and only friend Christopher moves away. Storing your loneliness can get expensive, so he builds his own discount loneliness storage apparatus and his equally lonely neighbor Emil convinces him they can start a business together. Author Moore makes building a world around a casual absurdity look easy, not to mention building a story around a protagonist with entirely selfish motives.
Junior is a tech who repairs malfunctioning “Halograms”—religious-themed hologram devices—but there’s something different about Mrs. Fisher’s potty-mouthed Jesus. Nichols transforms what could have been a one-joke premise into a devilish surprise.
This beautifully written story follows the efforts of the world weaver, who rescues magical creatures when they accidently slip through the veil between worlds. Full of wonderful imagery and memorable characters.
“How I Found Harry’s All-Night Hamburgers”, by Lawrence Watt-Evans (Asimov’s Science Fiction, March/April 2019) Novelette
This long-gestating, standalone sequel to Watt-Evans’ Hugo-winning classic is the most perfect tribute imaginable to Asimov’s late, legendary former editor Gardner Dozois. A private investigator tracks the source of a mysterious object called a “neural resonator” to the titular diner, which is also a waypoint to the multiverse. A first-rate illustration of the kind of classically structured sci-fi Asimov’s has trafficked in since its inception.
The Bjebu have been chased from their homeland by a murderous horde of ravens; in desperation, High Sister Nwere strikes a deal with Babawa-Kunguru, the Keeper of Sorrows, for the safety of a new homeland. She soon learns that the cost may be too much for them to bear. Riveting action and suspense from the first sentence to the last, with a brilliant and complex protagonist and breathtaking worldbuilding.
“Hand Me Downs” by Maria Haskins (GigaNotoSaurus, January 2019) Short Story
The story of a teenage troll (the “real” kind, not the internet kind) named Tilda who wants to go to a famous dance academy while battling stereotypes about her identity. A heartfelt story about self-love and family ties, with nice touches of macabre humor.
In a dream-like fantasy world called the Escapement, the Stranger realizes that agents of the Colossi plan to rob the train he is on to acquire a dangerous new weapon. But is it too late to stop them? A carnivalesque reverie told in classic cliffhanger style.
Draiken abducts a hired killer and attempts to get him on board for his plan to fight the conspiracy while they is pursued by a mysterious ship with lethal intent. The latest in a cycle that began with “Sleeping Dogs“.
A tax protester is thrown into a hellish, lightless tower that slowly funnels its prisoners toward the bottom.
“The Willows” by Delilah S. Dawson (Uncanny Magazine Issue 26, January/February 2019) Novelette [will add link when available on 2/5]
An unsettling variation on Algernon Blackwood’s classic horror story, which finds a young music star and her partner haunted by the sinister history and character of the family retreat where they’re recording their new album.
Featured image from the cover art for The Dark Issue 37, “Boy with a Torch Facing Smoke Monsters” by grandfailure
My short fiction recommendations are split into five categories: Part 1 – Dark Fantasy/Horror and Space-Based Science Fiction; Part 2 – Earthbound Science Fiction and First World Fantasy; Part 3 – Second World Fantasy. Each category features a “Desert Island Pick”, while the remaining picks are listed alphabetically by author. Each title is accompanied by a short synopsis and a quick excerpt for the story. Excerpts may contain mild spoilers.
Not every story fits neatly into any one category. Some could fit into more than one category, some defy categorization altogether. I did my best to place them where I thought they fit best. Links are included for stories that are available to read online, or to purchase information. Sometimes the traditional print magazines will make stories available online during award season, so I will update links when possible.
Short Stories (<7500 words), Novelettes (<17,500), and Novellas (<40,000)
The Guild of Natural Philosophers is sponsoring Captain Bodkin’s final whaling voyage; their representative on the ship, Arcon Glass, has some unusual – and grisly – demands in exchange for the Guild’s support.
North of this organ he has placed a preserved section of the dense mass of tissue that lies beneath the oil organ; sailors call it the junk, for it provides no oil and has no use. His research, he explained to me, concerns itself with the spermaceti organ’s role in producing the unearthly noises that whales issue forth. He proceeded to demonstrate by connecting a number of wires and waxed cotton threads to the sac and tissue, then setting up a number of small drums at various angles to both. From his tools he produced a small instrument that he pressed against the soft swollen side of the wax and glycerine-filled organ and blew on—and lo, a low note echoed and swelled to great size and shivered off all corners of the room in a manner that rose the hairs on my arms.
The slaves of Andre Plantation rose up and overthrew their captors, and helped establish the United Tribes of Mother Africa in what was once the Southeastern United States of America. So why does Heloise’s Manman keep that creepy white man locked in her closet?
The familiarity of his face frightens me. He is dressed in ratty clothes: a grimy black shirt with frills at the throat and his sleeves with their stained ruffles set off the sickly paleness of his skin. He doesn’t try to move — no point in doing that, his wrists are shackled together with a chain, connected to a bolted plate in the wall. He looks up at me, eyes bright in the dark and smiles, baring his white, straight teeth.
As a child Susanna struck an unholy bargain to acquire her beloved dog; a decade later the bill comes due.
They even burned a witch in town, just after Easter. She went to look, but though the woman’s hair was shorn and she was already burning, Susanna could tell it wasn’t anyone she knew. After, when the bones still smouldered, the priest in his stiff black cassock puffed himself up before the crowd, assuring them the witch’s spells and crafts would all unravel now that she was dead. Susanna stood there until dusk, waiting to see if anything would change, but the world remained the same as far as she could tell.
“Triquetra” by Kirstyn McDermott [Tor.com, September 5, 2018; 11,826 words]
Snow White is all grown up now, living in a castle with her husband and daughter. Her wicked stepmother and that awful mirror are locked away, but one of them may be the key to saving her daughter from a horror worse than she faced in her own youth.
“You—” I cough, backing away from the table, away from the woman now supporting herself by its edge. “You spelled me!” “Only your memory, Fairest. My needs are precise.” “You—you wretched creature! I wish you had died on my wedding day!” Smiling, she sinks back down into her chair. “No, you don’t. There is too much kindness in your heart, even now, even for such a wretched creature as myself.”
“Black Fanged Thing” by Sam Rebelein [Shimmer Magazine Issue 41, January 2018; 4823 words]
Every sundown, a strange beast stalks the streets of town dragging its clatter of bottles behind it. Each bottle contains a slip of paper, one for every adult. If anyone wishes to know what is written on theirs, all they have to do is ask…
The pathetic, hunched little figure shuffled laboriously past Jude’s home, tugging those bottles on twine behind itself. Sisyphus against thousands of boulders. The thing passed, and vanished around the bend at the other end of the lane. The neighborhood became silent. And the sun sank. Phil sniffed. “Tomorrow, then,” he said. “Tomorrow,” said Jude.
Yard Dog plays music so glorious he can reduce the room to tears, turn the drinks sour, render all drugs useless. No one knows who he is or where he comes from, but before long someone comes looking for him.
Shed said it slower and louder. “Please. Have you. Seen my. BROTHER. Thank you.” “I don’t know you or your brother. How did you get in, anyway? We’re not open. Get the fuck out of here.” The way I heard it, Shed just smiled at her and went to use the john, but never came back out. Hours later when tempers had cooled somewhat, Sue got curious about him, had one of the men check the bathroom. They found his raggedy clothes, a trail of blood, strips of skin, meat and other fluids leading from the door to one of the stalls. Al said it was like he had shed his skin, which is how come we called him Shed. It wasn’t till later that we figured he was looking for Yard.
The Undertaker knows how to get the crows to take people’s sorrows away when they lose a loved one; but they also want something from her she refuses to give.
Walking down a sidewalk, hot tears streaming down her cheeks. Not aware of where she is, only knows that she’s been walking, walking so long that there are blisters on her feet, but the pain is nothing, nothing. A crow lands at her feet, pecking at the pavement before looking up at her with one black, bright eye. —what you looking at? Think you can bring her back? Unless you can take away my pain, go, shoo, take off!
One by one, the children on Richard McGinty’s school bus route are disappearing. So the sheriff does what any good sheriff would do, and calls the Super Teen Detective Squad – who’ve got their own issues to work out.
Lately she’s been having recurring dreams about murdering Greg. In fact, she’s dreamt about murdering every single member of the Teen Detective Squad. More than once, she’s woken with blood on her hands. She has no idea where the blood comes from. The only thing she knows for certain is that it isn’t hers. Sometimes she wonders if she’s spent so much time thinking about becoming a monster that she’s turned into one after all.
Space-Based Science Fiction
Desert Island Pick
“Umbernight” by Carolyn Ives Gilman [Clarkesworld Magazine Issue 137, February 2018; 18,059 words]
The colonists on Dust don’t know much of what happens to the surface of the planet when it faces Umber – the planet’s second star – they just know it’s deadly. When much needed supplies are dropped right in the middle of Umbernight, a brave few will find out why.
The road had sprouted all manner of creatures covered with plates and shells—little ziggurats and stepped pyramids, spirals, and domes. In between them floated bulbs like amber, airborne eggplants. They spurted a mucus that ate away any plastic it touched. We topped a rise to find the valley before us completely crusted over with life, and no trace of a path. No longer could we avoid trampling through it, crushing it underfoot. Ahead, a translucent curtain suspended from floating, gas-filled bladders hung across our path. It shimmered with iridescent unlight.
The Best of the Rest
“Traces of Us” by Vanessa Fogg [GigaNotoSaurus, March 1, 2018; 6572 words]
Two sentient starships cross paths in the vastness of space, each carrying a passenger that has been waiting a long time to connect with the other.
The ship contained the memories of over a thousand individuals. Recorded patterns of synaptic firing, waves of electrical and biochemical activity: the preserved symphonies of a human mind. The minds currently conscious in and around the ship were not the same as their flesh-and-blood progenitors, the human beings of Old Earth. These new minds had had centuries to meld with one another and evolve; to modify themselves. They delighted in sensory inputs unimaginable to Homo sapiens—some could sense the entire electromagnetic spectrum. Some could consciously track the movement of a single electron or see all the radiating energies of a star. Yet the second ship requested the recording of a single unmodified mind from the first.
“Fleeing Oslyge” by Sally Gwylan [Clarkesworld Magazine Issue 140, May 2018; 9216 words]
After the invaders overrun her home town, Senne takes refuge with a group of soldiers searching for the rest of their unit. Not everyone in the group may be trustworthy.
Better the cold mist and these days of hunger and endless walking than trying to hide in broken Oslyge. Better this than letting myself be taken to the camps the Tysthänder, the Peace Hands, claim are for our safety. Our safety in this time of transition; that’s what their bulletins said. No one is sure whether the invaders—“project administrators” as they call themselves—are of human stock, as we are, or are alien. Their guards are human enough.
Olani is a young marine biologist interning at a fuel refinery on the frontier planet Zephyr. She’s not getting much out of her time there: most of the crew either ignores her or treats her with disdain and she basically just mops up shit all day. When an inspection crew comes to the plant she has an opportunity to advance her career and she must decide if she’s the kind of person who will do whatever it takes to get ahead.
Olani was a child when Pico erupted. The supervolcano vomited up so much gas and debris that Zephyr’s albedo increased. Light bounced off the cloud tops and back into space instead of heating the atmosphere. The temperature fell inexorably. As a kid, Olani had fun doing unusual things like playing in snow in an equatorial city. Only later did she understand why adults were whispering and crying.
It was touch and go for a long time. If the sea had frozen over, the oxygen produced by phytoplankton wouldn’t have been released to the atmosphere and everyone would have suffocated. Ocean, bless them, had kept that from happening. If you were looking for heroes of applied marine biology, Ocean was the place to find them.
“Prophet of the Roads” by Naomi Kritzer [Infinity’s End, Solaris; 4721 words]
The Engineer was an AI that once shaped the course of human development; now it exists only in fragments. With the solar system mired in violent conflict, Luca hopes to reunite the fragments and return human society to a state of peace and prosperity.
I was on a ship in orbit, so I didn’t watch people die; I went down, searching for survivors, since we’d been told they were well-prepared, defiant, probably equipped with pressure suits and subdomes and any number of other possibilities. Instead, we found bodies of civilians. In the moments before death, people clung to one another, uselessly trying to shield their loved ones from the vacuum of space that was rushing in around them. In the dream, I look for the Engineer, but do not find it. Everything is destroyed. Everything.
Kinesis Industrial One hires Mallory Iheji to win an auction for a rare and mysterious Qath box. The reward – a long lost film made by her favorite artist – should be more than worth her risk, but the Qath only accept personal sacrifices as payment and more than a few participants are willing to give up anything to get it.
I’m not into aliens the way the Qath groupies are into aliens. A Qath box doesn’t do anything. It doesn’t tell you anything about someone else’s mind; it won’t let you out of yourself, even for a minute. It’s just not human, which apparently gets to some people: the strangeness of it, of owning something made by otherwise life, otherwise minds. The Qath are the only aliens we’ve got, and they don’t interact with us much—but they like their auctions. Their auctions and their little boxes. What Kinesis Industrial wanted with one I wasn’t sure I wanted to know.
Like most humans, John is a social animal. He’s marooned on a remote planet with a Kinri named Colophinanoc and the Kinri can’t conceive of why anyone would require social interaction to maintain their mental health. And any possible rescue is years away.
Colophinanoc was a captive audience. It was crucial that Colophinanoc didn’t feel like a captive audience. If that happened, Colophinanoc would surely suggest that they leave off the fishing boat and work on the traps—which they did separately. It had not taken long for Colophinanoc to come up with a dozen or more tasks that they did separately. He waited; watched the sunken fan tree where they had herded the fish. In his impatience, the words came to fast. He couldn’t wait anymore. “Yeah, so there we are, Sully and I, trying not to bust out laughing at Nanooni and—” the slightest shiver runs through the reed boat, Colophinanoc shifting, Colophinanoc getting sick of him.
The starship Eriophora treks across the galaxy, waking various crew members for a few days every thousand years or so when it needs assistance building gates for other ships to fast-travel through. These are not ideal conditions to stage a mutiny, but Sunday Ahzmundin is going to try anyway.
Back when we first shipped out I played this game with myself. Every time I thawed, I’d subtract the duration of our voyage from the date of our departure; then check to see when we’d be if Eriophora were a time machine, if we’d been moving back through history instead of out through the cosmos. Oh look: all the way back to the Industrial Revolution in the time it took us to reach our first build. Two builds took us to the Golden Age of Islam, seven to the Shang Dynasty. I guess it was my way of trying to keep some kind of connection, to measure this most immortal of endeavors on a scale that meat could feel in the gut. It didn’t work out, though. Did exactly the opposite in fact, ended up rubbing my nose in the sheer absurd hubris of even trying to contain the Diaspora within the pitiful limits of earthbound history.
(Though The Freeze-Frame Revolution is slightly over the word limit, the author considers it a novella and Hugo rules allow some leeway for stories within twenty percent of the limit if the committee deems it appropriate. I am unsure if other awards have similar caveats.)
Murderbot takes a job protecting a group of scientists who are trying to negotiate the return of their data from the company that fired them, but its true goal is recovering information about its own troubled past.
“I’m not your crew. I’m not a human. I’m a construct. Constructs and bots can’t trust each other.” It was quiet for ten precious seconds, though I could tell from the spike in its feed activity it was doing something. I realized it must be searching its databases, looking for a way to refute my statement. Then it said, Why not? I had spent so much time pretending to be patient with humans asking stupid questions. I should have more self-control than this. “Because we both have to follow human orders. A human could tell you to purge my memory. A human could tell me to destroy your systems.” I thought it would argue that I couldn’t possibly hurt it, which would derail the whole conversation. But it said, There are no humans here now. I realized I had been trapped into this conversational dead end, with the transport pretending to need this explained in order to get me to articulate it to myself. I didn’t know who I was more annoyed at, myself or it. No, I was definitely more annoyed at it.