Recommended Reading for June and July 2020

Hi y’all. This is part one of me trying to make up for lost time. No reviews, unfortunately, just a link and a brief synopsis of each story. Next week I’ll have recommendations up for the months of August and September. Thanks for reading!

We, the Folk“, by G.V. Anderson [Nightmare Magazine Issue 93, June 2020] 6,120 words

An author travels to the countryside to research a bit of folklore about a fabled mask, the Dorset Ooser, used for the ritual punishment of sinners. She discovers that just talking about the Ooser stirs up feelings of terror in anyone who’s encountered it.

The Order of the Pure Moon Reflected in Water, by Zen Cho [Tor.com Publishing, June 23, 2020] 33,158 words

A former nun falls in with a gang of bandits, and things get complicated when she learns about the spoils they’re trying to sell.

Nine Words for Loneliness in the Language of the Uma’u“, by M.L. Clark [Clarkesworld Issue 165, June 2020] 20,873 words

Diplomat Awenato is the only survivor of a terrorist attack that targeted his delegation. Now he is the only Uma’u on a foreign space station, and must temper his grief over the loss of his life mate with his desire for revenge.

Dégustation“, by Ashley Deng [Nightmare Magazine Issue 93, June 2020] 3,509 words

A heartwarming coming-of-age story about mushroom people and self-cannibalism.

“The Staircase”, by Stephanie Feldman [The Magazine of Fantasy & Science Fiction, July/August 2020] 4,335 words

A group of friends decide to test an urban legend about an old staircase. That goes about as well as you might expect.

The Augur and the Girl Left at His Door“, by Greta Hayer [Beneath Ceaseless Skies #306, June 18, 2020] 3,914 words

The town augur can read a person’s future by examining their skin. When an infant is left at his doorstep, he decides to raise her himself, even knowing what her future holds.

“Knock Knock, Said the Ship”, by Rati Mehrotra [The Magazine of Fantasy & Science Fiction, July/August 2020] 5708 words

An indentured crewperson and an eccentric AI hatch a plan to save the day when their ship is hijacked.

Two Truths and a Lie“, by Sarah Pinsker [Tor.com, June 17, 2020] 11,892 words

Stella has been making up lies about her past for so long it has become an automatic reflex. To her surprise, one story she thought she had fabricated turns out to have really happened. So why can’t she remember it?

“The Black Menagerie”, by Endria Isa Richardson [FIYAH Literary Magazine, Summer 2020] 6,952 words

A young writer comes under the spell of the proprietor of the titular Menagerie, who can channel fear.

“Last Night at the Fair,” by M. Rickert [The Magazine of Fantasy & Science Fiction, July/August 2020] 2,467 words

An elderly woman recounts a whimsical night from her youth, of sneaking off to the fair with her future husband.

We Came Home From Hunting Mushrooms“, by Adam R. Shannon [Nightmare Magazine issue 94, July 2020] 2606 words

A group of friends go hunting together, as a strange affliction that causes people to be “forgotten” sweeps the world.

Seven Dreams of a Valley“, by Prashanth Srivatsa [Beneath Ceaseless Skies #307, July 2, 2020] 3501 words

While guarding a condemned witch, the watchman begins having vivid dreams of life in another land.

The Best Short SFF of September 2019

Featured Image from the cover of Lightspeed Issue 112 by Galen Dara

Must Read Stories

A Bird, a Song, a Revolution“, by Brooke Bolander (Lightspeed Magazine Issue 112, September 2019) Short Story

Bolander’s expressive cat-scratch prose and narrative gymnastics grow more audacious with each published story, while she has honed her vision into a diamond-hard stare. As a young girl, Whistlecage has a transformative experience when she learns to play the flute at the urging of an old witch. Far in a post-disaster future, another young girl finds Whistlecage’s flute in the wreckage of a museum, and it seems there is some magic left in it yet. Like “The Only Harmless Great Thing”, this is a story about bold ideas and hard truths crossing generational distances, of art as cultural memory and revolutionary impulse.

Sacrid’s Pod“, by Adam-Troy Castro (Lightspeed Magazine Issue 112, September 2019) Novelette

Most of Castro’s AIsource Infection stories have debuted in the pages of Analog, so it was a pleasant surprise to find one out in the wild, and a great one at that. “Sacrid’s Pod” isn’t dependent on any of the other stories or story sequences and serves as a great primer for those unfamiliar with Castro’s future history. Sacrid is a teenage girl consigned to a life sentence in an inescapable prison by her ultra-orthodox parents as punishment for transgressing their culture’s religious doctrines. Her unusually helpful AI-jailer assists her as she engineers a different kind of prison break. More than a quarter century into his writing career, Castro still displays an near-miraculous talent for twisting every genre trope imaginable into something new and exciting and fun.

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Cover Art by Dominic Harman

“Winter Wheat”, by Gord Sellar (Asimov’s Science Fiction, September/October 2019) Novella

This was the first story I encountered in my September reading, and it set quite a standard for everything that followed. “Winter Wheat” is the intimate yet epic story of a farming community upended by the introduction of bioengineered climate-resistant wheat. The story’s protagonist, Jimmy, can’t grasp the science of farming, a fact that frustrates him when his father’s attempts to create his own strain of wheat conflicts with corporate control of production. With its memorable setting and characters, and an intelligent, multi-layered take on some vital near-future issues, this may be my favorite sci-fi story of the year.

More Recommended Stories

The Last Stellar Death Metal Opera“, by Elly Bangs (Escape Pod 697, September 12, 2019) Short Story

Raya wants to hurl a brown dwarf into a collapsing star to save a planet of octopodes from the gamma ray burst of an impending supernova, despite the fact that the resulting collision will incinerate her and make her the first human to die in several millennia. Why? Because that would be metal as hell, of course. Then the “frickin’ Unimind”, the human race’s AI caretaker, arrives to muck the whole plan up. In truth, the conflict between Raya and the Unimind never rises above mild tension, but the spectacle of Raya’s plan and her motive for doing it are the stars of the show. If you fail to read this story with a big old stupid grin on your face from the first page to the last you should probably stop reading things.

Breaking the Waters“, by Donyae Coles (Pseudopod 666, September 20, 2019) Short Story

Coles’ piercing fever dream of a story is accompanied by W.B. Yeats classic poem “The Second Coming” (and also a content warning, which should be heeded), the perfect tone-setter for this tale of a young girl named Bootsie and her monstrous pregnancy. As much a story of containing Whitmanian multitudes as it is about birthing biblical Legions, it’s also as eerie and unsettling as any horror story you’re likely to read this year.

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Cover Art by David Hardy

“Homecoming”, by Gardner Dozois (The Magazine of Fantasy & Science Fiction, September/October 2019) Short Story

A bittersweet capstone to the late Dozois’s long and legendary career in SFF, about a very old wizard who makes one last trip home, and a young girl who beseeches him to send a little bit of magic her way. The kind of story that might be a little too perfect for its own good, but who’s going to complain?

“The Albatwitch Chorus”, by Stephanie Feldman (Asimov’s Science Fiction, September/October 2019) Novelette

Asimov’s always throws a little “spooky action” (pun intended) at readers this time of year, and for the second year in a row Feldman has written one of my favorites. Sonia moves in to an old witch’s house, and takes on her ex-husband’s teenage daughter as an apprentice as she starts her own witch’s shop. When the intelligent, racoon-like albatwitches that live in the nearby woods start making incursions on Sonia’s property, she knows they’re after something and that can’t be good. The albatwitches are too fiercely unknowable to be the antagonist here; the real conflict  is between the stubbornly pragmatic older woman Sonia and the fearlessly naïve youth Gina, who believes the albatwitches are trying to befriend her.

“Four Accounts of the Discovery of Orchard Street (From The Knowledge: An A-To-Zed of That City We Almost Know)” collated by S.R. Mandel, cartographer (Galaxy’s Edge Issue 40, September/October 2019) Short Story

This is probably the first time I’ve dropped a story on this list just because I didn’t know what else to do with it, only that by some strange impulse I read it over and over at least a half dozen times and found new pleasures in it each time. There’s nothing else I can say about it that you can’t glean from the title. Just let it happen.

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Cover Art by Beeple

Dave’s Head“, by Suzanne Palmer (Clarkesworld Magazine Issue 156, September 2019) Novelette

I marvel at Palmer’s gift for pasting together what seems like a bucket list of absurd story concepts and not only weaving them into a compelling narrative but imbuing them with a deep, rich mythology that reaches out beyond the boundaries of the story. In “Dave’s Head”, an engineer and her senile uncle go on a road trip with their roommate, a sentient animatronic dinosaur head called Dave, so Dave can find others like himself at a long-shuttered theme park. It’s a testament to the good will Palmer has engendered with her readers that we’re willing to swallow the wacky pill she hands us, no questions asked, knowing the rewards and surprises that await us.

“In the Stillness Between the Stars”, by Mercurio D. Rivera (Asimov’s Science Fiction, September/October 2019) Novelette

Another spooky story from Asimov’s, this one a little more traditionally Asimovian. A psycho therapist is woken from cryogenic sleep early in a colony ship’s voyage to help a woman who appears to have woken her nightmare up along with her. Well-drawn characters and sturdy, suspenseful plotting, and a whole lot going on in the background for SF geeks to chew on.

Sweet Dreams are Made of You“, by Merc Fenn Wolfmoor (Nightmare Magazine Issue 84, September 2019) Short Story

You’re probably smarter than I am and won’t try to read a magazine literally called NIGHTMARE right before bedtime. Though just in case that’s not warning enough for you, for fuck’s sake don’t read “Sweet Dreams are Made of You” and then try to go to sleep. Wolfmoor’s testimonial-style horror vignette about a game called Vore that you play in your dreams – until it crosses over to the waking world – has all the punishing beauty of a black metal song and the suffocating dread of a dream you desperately want to scream yourself awake from.

 

The Best Short SFF – September 2018

Reminder: While many of the stories in this column are available to read free online, these venues pay the authors for their work and rely on income from readers to do so. If one or more of these zines consistently publishes fiction that you like, please consider buying a subscription. Or, if you read a story or stories that you especially like, consider purchasing the issue it appears in. If the story is available to read online, clicking on the name of the story will send you there; subscription/donation/purchase information is available at each site. For stories that are not available to read online, there is a link to that zine’s home page. Thank you for reading and supporting short form SFF!

Apex-Magazine-112Must Read

“It’s Easy to Shoot a Dog”, Maria Haskins (Beneath Ceaseless Skies #260, 9/13/2018) Short Story

Ten years ago, Susanna walked into the woods with her little brother, and came back home without him. Now, it’s time to return and face the secret she’s been keeping from her family all those years. A haunting dark fantasy, with prose that cuts deep.

“Field Biology of the Wee Fairies”, Naomi Kritzer (Apex Magazine Issue 112, September 2018) Short Story

Catching a fairy is a rite of passage every girl is supposed go though when they hit their teens, but Amelia regards it with something between disinterest and disdain. Can a stupid fairy help her win the science fair and get accepted to the boys only science club? Since the twee little sprite won’t leave her alone, she decides to find out. Count this among Krizter’s sharpest tales.

“Conspicuous Plumage”, Sam J. Miller (Lightspeed Magazine Issue 100, September 2018) Short Story

Bette’s older brother Cary was brutally murdered and she doesn’t just want to know how, she wants to experience it for herself. Her classmate Hiram has a reputation for helping people “see” things, and together they journey to the site of Cary’s murder to find the truth. A somber, elegiac meditation on grief and the beauty of life.

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“The Witch of Osborne Park”, Stephanie Feldman (Asimov’s Science Fiction, September/October 2018) Short Story

A moody, low-key supernatural drama about a mother trying to defend her daughter from a neighborhood bully. Well drawn characters and an appropriately ominous tone.

“Triquetra”, Kirstyn McDermott (Tor.com, 9/5/2018) Novelette

A beautifully conceived, often terrifying sequel to Snow White, where the princess wants to take her daughter and flee from her disturbed husband. As if he wasn’t enough of an obstacle, she still has her hated stepmom and that insidious mirror to deal with.

“The Grays of Cestus V”, Erin Roberts (Asimov’s Science Fiction, September/October 2018) Short Story

This SF story of an artist trying to cope with the dreariness of her life on a frontier planet burrows under your skin. Roberts makes effective use of color to elucidate the protagonist’s state of mind.

“A Study in Oils”, Kelly Robson (Clarkesworld Magazine Issue 144, September 2018) Novelette

Zhang Lei is Lunar-born; now he hides out on earth after killing someone in a violent hockey game. He waits to hear about his asylum status while hiding from gangs of Lunar “brawlers” who want to hunt him down and kill him. An exciting narrative in a complex, expansive setting.

BCS 259Also Recommended

“How to Identify an Alien Shark”, Beth Goder (Fireside Magazine Issue 59, September 2018) Short Story

Whatever you do, don’t argue with the alien sharks about economic theory.

“Emissaries from the Skirts of Heaven”, Gregor Hartmann (Fantasy & Science Fiction, Sept/Oct 2018) Short Story

Spanning several planets and periods of time, the reader pieces together the personal journey of a religious devotee who wants to make a difference.

“CARBORUNDORUM>/DEV/NULL”, Annalee Flower Horne (Fireside Magazine Issue 59, September 2018) Short Story

A near-future teen drama in which smart houses can be more harmful, (especially to young women) than helpful.

“Shooting Iron”, Cassandra Khaw and Jonathan L. Howard (Fantasy & Science Fiction, Sept/Oct 2018) Novelette

Jenny Lim battles the demonic minions of Boss Lonely to rescue an old west ghost town from a terrible curse in this reversal of the “white savior” trope.

“Cold Ink”, Dean Wells (Beneath Ceaseless Skies #259, 8/30/2018) Novelette

This industrial steampunk thriller finds Hester’s estranged lover Verity showing up at her door with a whole lot of deadly trouble in tow.

Full reviews for these stories and more can be found in my bi-weekly column The Rack: 

Early September

Late September

 

The Rack – Zine Reviews from Early September 2018

ASF_SepOct2018_400x570Asimov’s Science Fiction, September/October 2018

In this “slightly spooky” early fall edition of Asimov’s, Stephanie Feldman’s “The Witch of Osborne Park” carries that theme well. You would have to stretch your definitions to find any SFnal elements though; the story is a straight supernatural drama. Elizabeth moves to upscale Osborne Park with her husband Roger and 3-year-old daughter Abby. The neighborhood has everything they want, but Elizabeth becomes concerned when Dorothy, the older girl next door, starts a subtle bullying campaign against eager, naïve Abby. As Dorothy becomes more aggressive, a series of unusual  phenomena occur in and around their home. Feldman does excellent, effortless work establishing character, setting and tone and allowing her story to unfold from there. Its depiction of myriad parenting anxieties is spot-on. Elizabeth knows it’s absurd for a grown adult to engage in a personal feud with a 5-year-old, but oh how she wants to smush the little shit. And one can sympathize. The prose is pensive and insightful, balancing the sinister and the sentimental. Ruminating on her protective instinct, “Elizabeth thought of an article she once read – how an unborn baby’s cells remain in its mother’s body after it leaves for the bright world, how they linger for years, even decades. Maybe they’re slow blooming. Maybe they need the right angle of sunshine, the right breeze, the scent of morning lilies growing in the shadows of an iron gate.” The bait-and-switch plot twist is predictable, though the denouement still satisfies.
Erin Roberts has a nice streak going, with her excellent futuristic orphan tale “Sour Milk Girls” and her dark horror story “Snake Season” among my favorites this year. “The Grays of Cestus V” is a superb blend of the former’s psychological astuteness and the latter’s air of creeping menace. Laila is a miner and an artist on the frontier world of Cestus V, where the grays seep into everything, making the world and its people appear drab and colorless, a reality reflected in her paintings. The Pioneer Commission invites Laila to the planet’s much livelier central hub to speak about her art and her life on the frontier. The interview goes off-track when it becomes clear just how much the gray has affected her state of mind. Laila conflation of her moral and aesthetic values leads her, and the story, down a very ominous path. It’s a crafty work of fiction, though somber in tone.
A few of the stories by big-ticket authors yielded mixed results:
In Greg Egan’s novella, Sagreda and Mathis are “comps”, sentient NPCs built from discarded brain maps in a virtual reality construct. They are searching for the titular mathematical paradise of “3-adica”, where they can live without fear of deletion for violating the rules. The story picks up with the Sagreda and Mathis feeling their way through a lurid vampire bodice-ripper called Midnight on Baker Street (each of the game‘s “worlds” adapt public domain novels). They are searching for a specific color to enable Sagreda to finish a painting that will port them into 3-adica. Along the way they run afoul of a vampiric Percy and Mary Shelley, which brings them the negative attention they are trying to avoid. That the story’s version of paradise resembles a Greg Egan novel is a tad narcissistic, though a forgivable indulgence. One cannot begrudge the author his Shangri-La. But it hurts that what had been an entertaining mash-up of hard SF and pulp horror turns into a dreary algorithmic fantasia that can only be not a complete bore if you really, really, really, love geometry. The story’s ending struggles to regain its emotional footing, and finishes with a whimper. There is an interesting correlation with Roberts’ story, in that both involve an artist searching for the perfect color, though the result is variable.
Robert Reed likes his allegories cooked well done in “DENALI”; too bad I’m a medium rare kind of guy. In this alt-history story, instead of voting for leaders, Americans vote for potential futures. Aliens known as CAUTIONS left a quantum device in Theodore Roosevelt’s possession that generates the elected futures, distilled into easy-to-explain choices like STRENGTH, NO WAR, and STATUS QUO. STRENGTH wins often, as you might imagine, with PROSPERITY sometimes topping the polls. The 16th Amendment decrees that a future only needs 20% of the vote to win the election, so the winner always leaves the majority unhappy. Reed goes into parabolic overdrive from the start and never eases up on the gas.
In “R.U.R. 8?”, Stout and its fellow robots hide from the ever-present threat of the recycler, but when its friend Rozum loses a limb, Stout risks venturing out to the scrap heaps to find a replacement. I haven’t read the classic Czech play that inspired Suzanne Palmer’s latest story but I presume that much of it is in-jokey and reverential. Though the plot and its post-apocalyptic setting are comprehensible without such familiarity, it still didn’t come together for me. I almost always find Palmer’s keen sense of humor appealing; this time it failed to work its magic.
“The Huntsman and the Beast” is Carrie Vaughn’s gender-swapped retelling of Beauty and the Beast. In this version, the Prince and his huntsman, Jack, become lost in the woods during a storm, and happen upon the infamous cursed castle. The Beast lets the Prince escape once Jack agrees to become the Beast’s prisoner, and Jack’s perspective on the situation changes when he realizes the monstrous Master of the castle is in fact its Mistress. Vaughn gets plenty of mileage out of tying the characters’ motivations, and the readers’ expectations, to our presumptions about gender. Many of the authors A-list skills are on display: exquisite tension building, evocative atmospherics, incisive character moments. The rushed second half of the story relies on our familiarity with the source material to fill in the thematic blanks, and kept me from engaging with the romantic aspect. The finale works in a nice end-around to the humility the beast must learn to break the curse, allowing her to surrender to love without sacrificing her self-determination.

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Too-long titles are proper for tall tales, and Sarah McGill’s western whopper “The Day Beth Leather Shot the Moon, as Told by Rosemary Bonebreak” fits the bill in that regard. Beth Leather is a “traveling librarian” who passes through White Horn from time to time, relating her outrageous adventures to Rose and her older sister Darlene. Over the years, Beth romances Darlene while Rose pines for Beth in secret. As Darlene matures, she grows tired of Beth’s wandering ways and Beth turns her attentions to Rose, promising to shoot the moon out of the sky for her. I enjoyed the droll tone and gaudy visuals of “Beth Leather”, and the mythic quality of the prose. Despite being among the shorter works published by this novelette-friendly venue, McGill’s story drags a bit in the middle. It builds to an exciting climax, though, as shooting the moon out of the sky goes about as well as you’d expect. I think my biggest issue was that I never connected with Rose’s longing for Beth; it is expressed in concrete terms, but doesn’t permeate the prose the way romantic longing should, especially when the narrator is the one doing the longing.

Beneath Ceaseless Skies

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“Cold Ink” is a sci-horror novelette set in the industrial steampunk dystopia of Dean Wells’ Clockwork Millennials story cycle. Uninitiated readers shouldn’t have too much trouble jumping right in but should be aware Wells doesn’t waste much ink explaining things. The story follows Hester, whose feelings for casual flame Verity run deeper than she’s willing to admit. When Verity comes to her for help after a long absence, Hester risks everything to help her, even as Hester’s friends are getting killed off one by one. Wells has a talent for the macabre (the demonic ink of the title is used to chilling effect) and the world-building is deep and intricate enough to sell new readers on the other stories. “Cold Ink” is a little long, but still an entertaining, suspenseful story, with a gut-punch of a turn at the end.
Justin Howe’s “Periling Hand” also has a sci-fantasy feel but runs straight into the trap Wells’ story avoids: it’s brimming with exposition, leaving the story – about a man trying to acclimate to his new bio-integrated wooden arm – with little room to breathe. A compelling emotional core is hiding here somewhere, but is so buried beneath ceaseless infodumping I couldn’t get invested.

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The bleak, frosty atmospherics of Nina Kiriki Hoffman’s “Ancestor Night” lend its spectral premise extra bite. On the longest night of the year, the villagers trek through the deep snow to Memory Lake, where their departed loved ones will rise to the surface of the ice. Once there, the living relatives sing a prayer asking their ancestors to wake or stay asleep. Paolo and his siblings lost their parents a year ago; after singing the Ancestor Night prayer, his beloved oldest sister Jasna admits she caused their deaths. Their father wakes, and whispers something only Jasna can hear. “Ancestor Night” is a resonant documentation of an imaginary ritual, though a little too crisp and aerial to be more than an effective mood piece.
I love the way Maria Haskins lets images and emotions guide the structure of her stories, building them the way people reflect on the narratives that define them, rather than ordering them in a clean, linear fashion. Ten years of reflection, a journey from age 7 to 17, guide young Susanna in “It’s Easy to Shoot a Dog”, as she treks into the woods with her beloved dog, Brother, to the witch’s cottage to keep an old promise. Haskins’ prose offers a striking balance of harshness and delicacy. As a child, Susanna tells her parents she lost her little brother in the woods: “Even at the age of seven, the lies felt smooth and true upon her tongue. And Mama wailing like she’d ever cared for him, and Papa’s face gone hard as rocks and iron, as if he’d ever once held him close.” The writing is expressive, but taut, like a slow turning lever tightening a vise.

Fireside Magazine Issue 59, September 2018

I adored the cover for this month’s issue of Fireside so much that I felt the cover story, Annalee Flower Horne’s “CARBORUNDORUM>/DEV/NULL”, had to work hard to live up to it. Horne’s near-future SF depicts a world where smart homes have only made policing the behavior of young women easier. Teenager Sandra’s over-protective mother has their smart house programmed to watch Sandra’s every move; she can’t even walk out the front door without the house ratting her out. This doesn’t apply equally to the boys: her older brother Kyle can do whatever he wants, and Kyle’s friend Jack once manipulated the house to hide evidence of his sexual assault of Sandra. Sandra’s best friend Tish is a hacker, and the single line of code from which the story gets its title can get Sandra out of the house without her mother knowing, so they can go to a party where Tish’s crush, Ian, will be. In a disturbing but not altogether surprising twist, Ian isn’t much different from Jack, and his own smart house does his bidding. “CARBORUNDORUM>/DEV/NULL” is a timely story, considering how “guard the door” rapes at high school and college parties are part of the biggest news story of the moment. It’s also, unfortunately, timeless: the news story in question happened over thirty years ago. Horne’s near-future version just removes the need for an actual human to do the guarding. If not for Tish’s magic line of code, the end of this story could have been a lot more horrifying. The unsettling undercurrent of the story shows how women are conditioned from a young age to cope with sexual assault, and to tolerate the persistent presence of their rapists as a normal part of life.
I enjoyed Beth Goder’s satirical “How to Identify an Alien Shark”, a faux-university lecture meant to delineate the difference between actual sharks and an alien species known as the Tucabal-Gor, who live in the ocean and look a lot like sharks and who you definitely don’t want to get into an argument about economic theory with. It’s more of a long form joke than a story, built by adding piece after piece of outlandish but internally consistent logic to set up its punchline. “How to Identify and Alien Shark” may be plot-free, but it’s a fast and funny read. Also, I’m glad I don’t know any economic theorists.

Tor.com

kite maker“The Kite Maker”, Brenda Peynado (8/29/2018)

When the Dragonflies first landed on Earth seeking refuge from the destruction of their home world, frightened humans reacted with violence. The unnamed narrator was one of those reactionaries, but now she tries to make up for her ghastly behavior with extra kindness. She makes kites (which the aliens cherish), and when a Dragonfly named Tove comes into her shop, she wants to please him. But political and cultural realities complicate interactions between humans and Dragonflies, and continue to make it dangerous for Dragonflies to call Earth their new home.
This is one of those stories where agreeing with its basic positions (refugees need help, Nazis are bad, etc.) doesn’t translate to a positive response to the story. There are too many conveniences, and few real stakes, built into the premise to generate any dramatic tension. Everything feels staged; characters seem only to enter the scene to fulfill their function then exit when they are no longer useful, their motives telegraphed and unconvincing. Also, the narrator’s behavior toward Tove comes across as unwanted harassment, which soured my opinion of her. Intentional or not, the story does not address this issue satisfactorily.

 

Must Read

“It’s Easy to Shoot a Dog”, Maria Haskins (Beneath Ceaseless Skies #260, 9/13/2018) Short Story

Highly Regarded

“The Witch of Osborne Park”, Stephanie Feldman (Asimov’s Science Fiction, September/October 2018) Short Story

“The Grays of Cestus V”, Erin Roberts (Asimov’s Science Fiction, September/October 2018) Short Story

Also Recommended

“How to Identify an Alien Shark”, Beth Goder (Fireside Magazine Issue 59, September 2018) Short Story

“CARBORUNDORUM>/DEV/NULL”, Annalee Flower Horne (Fireside Magazine Issue 59, September 2018) Short Story

“Cold Ink”, Dean Wells (Beneath Ceaseless Skies #259, 8/30/2018) Novelette