The Best Short SFF of July 2019

Featured Image from the illustration for “Blood is Another Word for Hunger”, by Xia Gordon

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FSF 7-8
Cover art by Mondolithic Studios

“Mighty are the Meek and the Myriad”, by Cassandra Khaw (The Magazine of Fantasy & Science Fiction, July/August 2019) Short Story

After England’s devastating war against the robots ends, the plan for reintegrating the automatons mostly involves “hats and parasols and cutout mustaches made of cheap aluminum”. And also corgis. If that gives you some indication of the tenor of Cassandra Khaw’s id-poking sci-fantasy treat, I’ve got news for you: this is the kind of story that turns on a dime. Full of tragedy and cynicism and caustic wit, and bolstered by the author’s inexhaustible energy and descriptive ingenuity (at one point, a character’s eyes are “like cracked ice…The uneven striations in her irises compounded the effect, invoking the impression that her pupils had somehow shattered.” WTF.), by the end we get the idea the author doesn’t give a shit what anyone else thinks speculative fiction is supposed to speculate about.

Blood is Another Word for Hunger“, by Rivers Solomon (Tor.com, July 24, 2019) Short Story

Solomon’s crimson-hued tale of Sully, a teenaged slave with “a heart made of teeth” who turns on and kills her captors, is the kind of story that blocks all the emergency exits.  The disturbance caused by Sully’s actions knocks something loose in the ether and she gives birth to Ziza, a fully-grown teenager who died as a slave centuries before. Soon, Sully’s rage births an “army of revenants” in place of the racist whites she exacts her vengeance on. This story keeps the reader suspended somewhere between the malicious logic of a fever dream and the order imposed by a conventional narrative structure. What it doesn’t do is allow the comfort of escape.

More Recommended Stories

creep
Cover art by Red Nose Studio

For He Can Creep“, by Siobhan Carroll (Tor.com, July 10, 2019) Novelette

Christopher Smart lives in an asylum, where Satan looks to hoodwink the beleaguered poet into writing an epic apologia for his benefit. Smart’s loyal cat companion Jeoffry isn’t having any of that. An absurdly entertaining bit of escapism, especially for lit nerds.

Thin Places“, by Kay Chronister (The Dark Issue 50, July 2019) Short Story

The townspeople of Branaugh operate under an uncanny state of affairs, one that does not suffer newcomers well. School teacher Miss Augusta knows what it means when the new lighthouse-keeper’s daughter arrives at her door, and though the other townsfolk implore her to send the girl away, she can’t bring herself to do it. Chronister’s unsettling anti-fable offers a world where community, and the security it promises, is a site of horror rather than of safety.

The Brightest Lights of Heaven“, by Maria Haskins (Fireside Magazine Issue 69, July 2019) Short Story

Haskins often writes about characters who sidestep conventional moral boundaries in favor of their own spiritual reality, and while the results are usually capital-D Dark, there is also a poignancy that creeps up on readers willing to reset their own parameters (temporarily, one hopes). “The Brightest Lights of Heaven”, about a pair of childhood best friends who make an unbreakable pact that transcends time and distance, is devilish fun, and quite touching in its own twisted way.

“The Work of Wolves”, by Tegan Moore (Asimov’s Science Fiction, July/Aug 2019) Novella

“I wonder what my dog is thinking” is a premise with more than a few miles on it. In “The Work of Wolves”, author Tegan Moore flips the coin by giving us Sera, an enhanced-intelligence search-and-rescue dog who has to figure out what her new handler is thinking in time to save the day. Engrossing with a nice brisk pace, it’s a quintessential Asimov’s piece: just hard-enough sci-fi to satisfy our inner lizard brain, though with the emphasis squarely on character-driven plotting and action.

Black Matter“, by Vivian Shaw (Pseudopod #655, July 5, 2019) Short Story

The premise of Shaw’s story, in which a consulting necromancer (ahem, contingency communications specialist) for the NTSB investigates a plane crash by interviewing the deceased witnesses, reads like a modern day paranormal fantasy while the narrative builds like something out of pulp-era Weird Tales. It also has the feel of a “pilot episode”, and with its pitch perfect first-person narration and provocative hints of larger forces at work, a return trip would be welcome.

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Cover art by Julie Dillon

How the Trick is Done“, by A.C. Wise (Uncanny Magazine Issue 29, July 2019) Short Story 

There is a cool casualness to A.C. Wise’s prose that contrasts nicely with the sometimes startling events that punctuate her narratives. “How the Trick is Done” is a tale of death and resurrection and revenge, in which Angie, the magician’s assistant/girlfriend (and true progenitor of his most famous trick) decides it’s time to part ways with the man. It’s an understandable choice: the women he uses and discards can do the real magic he takes credit for. The story has an unusual structure that works despite itself—we already know what happens to the magician from the start, yet Wise manages more than a few surprising moments before events come full circle.

The Best Short SFF of June 2019

 

Recommended Stories

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Cover by Grandfailure/Fotolia

The Harvest of a Half-Known Life“, by G.V. Anderson (Lightspeed Magazine Issue 109, June 2019) Short Story

Anderson builds an arresting and intricately detailed post-apocalyptic culture where social mores have been re-shaped by climate disaster: technology is taboo, for example, but harvesting the flesh of the dead has a vital role in sustainable living. The narrator – verbally called “Gwinaelle”, though her true name can only be conveyed in sign – is caught between the life that has been planned out for her and her yearning to “follow the ghosts” and explore the ruined world. It’s an engaging narrative but what stood out for me was its introspective nature, the onus it placed on the reader to not fall back on easy choices and lazy assumptions.

“Apologia”, by Vajra Chandrasekera (Future Science Fiction Digest Issue 3, June 2019) Short Story

An acerbic take on the commodification of white liberal guilt, wherein a poet is unleashed through time with recording drones in tow to experience firsthand the plight of systemically oppressed peoples, all for the edification of viewers back home. The narrator is the project’s producer, who divines to portray the subject as “our collective finger of condemnation pointed at a mirror, and then holding that pose, turning our heads a little, shifting hips, finding our good side in the light of truth and reconciliation.” That the narrator is aware of their own hypocrisy – perhaps even fetishizes it – is all the more disturbing.

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Cover Art by Cynthia Yuan Cheng

“Late Train”, by Anthony Ha (Lady Churchill’s Rosebud Wristlet no. 39, June 2019) Short Story

While taking a late train home after a night of revelry, three friends have a discomfiting encounter with a homeless woman. The youngest and most naïve of the three unthinkingly invites the woman to overshare the details of her life, a narrative that gets more and more outrageous as it goes and opens them up to a literal multitude of possibilities. The slow build to a mind-expanding climax is well-rendered, and I appreciated the subtle symmetries and synchronicities built into the story’s structure which are especially effective in a second readthrough.

Bootleg Jesus“, by Tonya Liburd (Diabolical Plots #52B, June 17, 2019) Short Story

The rural town Mara lives in has no magic, so the “unique gifts” that normally manifest in people once they reached a certain age aren’t fostered there. But somehow Mara can activate her “Bootleg Jesus” statuette by asking it a question, and get cryptic yet actionable advice from it. This ability takes on a new urgency when she wishes to save a friend from an abusive situation. I really enjoyed the idea of a world where magic is common except in this one place, and the author uses it to weave a compelling, heartfelt story with empathy and smarts.

a forest or a tree
Art by Samuel Araya

A Forest, or a Tree“, by Tegan Moore (Tor.com, June 26, 2019) Novelette

Small disturbances and unforeseen circumstances pile up to bedevil four friends on a hiking trip in the wilderness, while something uncanny stalks them from the edges of their perception. An odd little horror piece; surreal and spooky with an offbeat aesthetic of arbitrariness to distinguish it. The characters jump off the page from the get go, which is always a good sign.

Many-Hearted Dog and Heron Who Stepped Past Time“, by Alex Yuschik (Strange Horizons, 6/17/2019) Short Story

Dog and Heron are partners who have “a profitable business stealing things, protecting things, or killing things.” As the title suggests, Heron can move back and forth through time, though they need someone (currently Dog) to anchor them in the timeline. The plot, involving the killing and resurrecting of a magistrate to sniff out a conspiracy, is a bit of a red herring. The story is really about what the titular characters mean to each other, a relationship that is somehow enhanced, rather than hindered, by the fact that one of them experiences it out of order.