I am growing very frustrated with the new wordpress editor, which erased the content of the original post for no reason I can fathom. Here are the recommended stories, but unfortunately I didn’t back up the text so the reviews are lost forever.
Featured Image from “Investigate” by Andis Reinbergs, cover art for Beneath Ceaseless Skies #298-299
Must Read Stories
“A Study in Shadows“, Benjamin Percy [Nightmare Magazine Issue 90, March 2020] Short Story
“A Study in Shadows” is a grim, phantasmagoric character study of the appropriately named Dr. Harrow, a psychology professor who engages in a field study “on the belief in the invisible”. He has a penchant for manipulating his subjects to induce a state of terror, unleashing deadly havoc but always escaping the consequences of his actions. The calmly anecdotal tenor of the prose is what really twists the knife.
A tour de force of old-fashioned Outer Limits-style existentialist sci-fi, “Beyond the Tattered Veil of Stars” follows internet reporter Cory, who is handed the story of a lifetime when his ex-girlfriend Milagros creates an extraordinarily complex simulated reality. Milagros generates a race of beings more suited to problem solving than humans, and by throwing one cataclysm after another at them she uses their virtual solutions to solve real world problems like climate change and cancer. Things go horribly wrong, of course, when her creations turn out to be even better at solving problems than she could have anticipated.
I love stories that create their own rules and teach the reader how to follow them. Santiago’s second-person narrative deposits you in a mad scientist b-movie, where you pine for the nefarious and charismatic Dr. Markoff while you are both complicit in and victimized by his dastardly schemes. It’s a flick with a flexible fourth wall, continually re-shooting and re-editing itself, wandering offscreen and backstage at its leisure and blurring the line between performance and reality.
“Tend to Me“, by Kristina Ten [Lightspeed Magazine Issue 118, March 2020] Short Story
Nora is stuck in a pattern of taking on the interests and hobbies of whomever she is dating at the time. She has no real interest in any of these activities (which include rock climbing, scuba diving, beekeeping, gardening, auto repair), in fact she often actively disdains them. Her life shifts gears in a totally unexpected but weirdly logical way when she starts dating an acupuncturist. Ten’s very short story is propelled by sly, ticklish prose and a generous empathy for its characters.
More Recommended Stories
“The Amusement Dark“, Mike Buckley [Clarkesworld Magazine Issue 162, March 2020] Novelette
A sober and engrossing story about people looking for meaning in life after humanity loses the war against the AI. The peculiar, murky relationship that develops between the humans and their new “benevolent” oppressors is fascinating.
A constable is instructed to arrest, without evidence, a young girl from another town who may be connected to the disappearance of five local boys. The girl has some unusual habits and is definitely hiding something, but she’s not the only one. An eerie little dark fantasy, and a devilishly satisfying one.
Ever down-on-his-luck Ardal flees town after assaulting his bully of a co-worker. After a sequence of further misadventures he stumbles upon a house in the woods beset by mysterious enchantments, its sole inhabitant afflicted with a strange kind of memory loss. Hughes charming, episodic meta-adventure lives up to its title in the literal sense.
Izuchukwu is in trouble with his school and his family when he is caught kissing a boy. He is also an “amusu” who can transform into a finch, and he’ll be in more serious trouble if they find out about that. A smart, well-crafted and poignant coming-of-age fantasy.
This exciting and suspenseful novelette draws together the characters and storylines from Sanford’s two previous “Grains” stories. This time, Alexnya is being prosecuted for Frere-Jones’s crimes (from “Blood Grains Speak Through Memories“) by the inflexible grains, who zealously “protect” the earth from the people who would harm it. A glimmer of hope arrives when she crosses paths with Colton’s day-fellow caravan (from “The Emotionless, In Love“). There’s enough context to anchor new readers, but the other stories are well worth investing your time in.
A fun caper story about a coffee-obsessed waitress who discovers she can create the perfect cuppa joe, if she can just get her hands on a newly invented mini-collider. A fresh and quirky concept, well-realized.
“The Spoils“, Aliya Whiteley [Beneath Ceaseless Skies #298, February 27, 2020] Short Story
Citizens of an underground-dwelling civilization covet pieces of a massive, recently deceased creature known as an Olme for its magical properties. Most have little idea what to do with their cut, but Kim knows exactly what she wants and how to get it. Or, at least she thinks she does. “The Spoils” is the kind of story that gradually peels back its layers to reveal a wider and deeper world than it shows at first glance.
My “Best of 2019” is split into three parts: Part 1: Dark Fantasy/Horror; Part 2:Science Fiction; Part 3: Fantasy. My choices in each category are not ranked; they are presented in alphabetical order by the author’s last name. Each title is accompanied by a quick introductory statement and a short excerpt from the story. Excerpts may contain mild spoilers. For the purposes of this column, short fiction is defined as less than novel-length, or under 40,000 words.
The Best Short Dark Fantasy/Horror Fiction of 2019
Parveen is more than ready to move on from high school, but for now she figures to get her kicks hanging out with the demon cult kids. Turns out demon possession isn’t all it’s cracked up to be, for the demon or the possessed.
The music clicks off. Now it is shivery and quiet, only California crickets lisping into the dark. The night closes upon them, an enigmatic fist. And when it opens its fingers again, Benny is possessed. He tries to speak, but it doesn’t quite work. His eyes are wet, black. Crawling with unrecognizable stars. They know it is Benny and not Benny. The way anyone knows that something is wrong. There is a face underneath his face, and it is very, very old. The face swivels on its neck to look at them. Say something, one of the cult kids whispers, practically palpitating with fear and excitement. Benny, who is not Benny, hisses: What a waste. What a fucking waste.
Moira and Rae are childhood best friends who grew up playing some pretty imaginative, and pretty immersive, games together. The two are devastated when Moira’s family decides to move away, but Moira has an idea for a game they can keep playing no matter how far apart they are in distance or years.
“I had a vision, Rae.” Her voice was an unfamiliar, hoarse whisper, skittering up my spine. As if she’d found another voice in the dark. As if another voice had found her. “You are a daemon escaped from the deepest depths of the void. And I am a daemon hunter blessed by the brightest lights of heaven. We are enemies henceforth. Before we both turn twenty-five, one of us must kill the other.” My palm stung and I felt dizzy. I already knew it was more than pretend, more than imagination. Moira had always made our games seem real, but that night was different. I felt the blood and smoke twitch together between our palms, as if we had stirred up something sleeping, something dormant – whether within or without, I couldn’t tell. I felt it shudder and twine, snaking around my flesh and bones. Words and smoke and blood binding me, changing me. Changing Moira, too.
Adney and Teek are an adventurous young couple vacationing in Italy, where they are approached by an older man who wants to pay them $10,000 dollars for an hour alone with Teek. The guy makes them both a little uneasy, but who couldn’t use that kind of money?
“One hour…doing what?” Teek asked. The man put both hands on the table. They were big, coarse. Hairy. The sight of them thrilled her, as if she was the one he wanted to grab hold of. “We’re not children here. I don’t think I need to spell it out. I’ll respect your boundaries, of course, but I’m not paying you to talk.” “Can we have some time to think about it?” Teek asked. “You cannot,” the man said, and this, too, was thrilling to Adney, and the thrill unsettled her. She imagined the most degrading of demands being issued to her in that same imperious, commanding tone. But of course it wasn’t her he’d be degrading. Teek looked at her, pretty eyes wide, like, What the fuck, this is so bizarre, but also like, What do we do?
The infamous Darko Cromdahl, an author of weird fiction who mysteriously vanished in 1955, is soon to be memorialized with a volume in the American Literary Icons series. But his former lover and fellow writer Marsha Waszynski has a story about Cromdahl for the series editor – of a talentless hack who won fame, and lost everything else, by unnatural means.
“The mythic Garuda was a fabulous creature who once served as Lord Vishnu’s preferred steed,” said Skelter. “My employer believes that he, Kalioghast, summons his bird from the Hindu netherworld, but I suspect he simply cast a spell on an ordinary eagle.”
And then it happened, Ms. Tunbridge. The quill possessed me. My hand pirouetted across the blank sheet, leaving behind bold ellipses and emphatic squiggles. I had no trouble believing the phial held eagle blood, for the nine-word verse that emerged before my eyes was formed of vibrant reddish-black characters. In thrall to the quill, I produced a second verse, then a third, then a fourth—fourteen in all. My hand jerked automatically to the top of the page and gave the sonnet a title, “Cardiac Allegro.”
I set down the feather, recorked the phial, and perused the result of my literary fit, realizing that Garuda had wrought a poem to rival anything in The Oxford Book of English Verse . Darko read “Cardiac Allegro” and in a quavering voice declared it “as haunting as a half-remembered dream.”
“Still Water“, by Ian Muneshwar (Anathema Issue 8, August 2019) 5953 words
Miles and Trent take a trip out to their family cabin to try and repair their fractured relationship. While kayaking down river, their surroundings start taking on a sinister air.
Miles rowed furiously, his paddles raising ropes of water that slapped across the front of the kayak and soaked through his shorts. The air chilled; a great grey bank of clouds had choked the sunset and settled across the sky; cold raindrops cratered the river. “Trent?” Miles’ glasses had begun to fog with the heat of his desperate, heaving breaths. He let himself pause, for just a minute, so he could see again, and listened. But Trent, if he could hear, didn’t respond; there was only the slow crescendo of rain on the water, wind through the treetops. When his glasses cleared, he found that Trent had disappeared beyond a bend in the river. The orange life preserver was nowhere in sight. He took himself to the middle of the river. It wasn’t long before he found the current that had carried Trent away. In all his summers swimming and fishing here, he’d never felt the water pull like this. The kayak skimmed across the surface, as if it was pulled along by some great, invisible hand. His gut tightened as he felt himself lose control of the kayak, of the direction he was taking.
“An Open Coffin”, by H. Pueyo (The Dark Issue 47, April 2019) 3067 words
Amélia goes to work for General Estiano to care for a corpse that lies in rest at his house. The corpse has been on display for decades and attracts many devotees, who appear daily to fawn over it.
One by one they came in, congesting the front room with their presences and handbags. The second one to greet me was Jair, a spindly man with sunken eyes, who hugged me like we were old friends. “I reckon you must be close to General Estiano,” I said. “Yes, yes, we joined the army in the same year!” Jair opened his arms, as if trying to embrace the whole room, coffin included. “Have you met him before?” “We didn’t have the chance to meet face to face.” “Of course. You’re too young to remember that time, after all.” Jair sat on the couch, watching as the women placed white lilies around the body. “This death . . . Amélia, right? This death, Amélia, it took us all by surprise. It ruined the christening of my son, such was our shock.” “Some people simply can’t be replaced, right?” Jair looked at me for a second, but his bloodshot eyes went back to the crystal box lying on the other side of the room. Then, he smiled, nodding. “You’re right—you’re absolutely right.”
“Wilderling“, by Angela Slatter (The Dark Issue 48, May 2019) 5540 words
LP is middle-aged and childless, and tired of people judging her for it. Most people would be terrified if a feral child with long, sharp claws for nails suddenly decided to use their property for a hunting ground, but LP almost feels an affinity for it.
Whiskey didn’t even see it coming. Which meant the kid was silent, like stealthy as a fox, light as a breeze, because the kid’s fingers—closer up now, LP could see how long the nails were, black ragged things—were around Whiskey’s thick neck before he knew it. That neck was broken in a freakishly swift motion—there was no doubt the cat was dead, the way it hung in that strong, nasty little grip. But LP couldn’t muster even a lick of sympathy for the feline. Too many years of him tearing up her favorite cushions and couches, her craft supplies and works-in-progress, her clothes whenever he could get his paws on them, and the smell of piss in the house because Kurt wouldn’t get the fucking animal neutered. There were deep red scratches on her arms, the latest in a series of Whiskey’s “love taps” while she slept; she’d got infections from them three times before. LP felt the first genuine smile in a long while lift her lips, and imagining life without Whiskey distracted her from watching the kid tear him open and feast on his innards. She kind of glanced off to the side, so she saw but not quite. When the cat was no more than a sack of bloodied fur and bones, the wilderling tossed Whiskey on top of the little iron table again, almost well-mannered, and disappeared back into the woods.
On learning that the master of the house was killed in the war, 15-year-old slave girl Sully slaughters the rest of her owner’s family while they sleep. Her rage is not sated by their deaths, and the etherworld takes notice, sending her a family of her own.
“Yes, yes, yes!” Ziza called as she descended from the spirit realm down a tunnel made of life. Breathing things, screaming things, hot, sweaty, pulsing, moving, scampering, wild, toothy, bloody, slimy, rich, salty things. Tree branches brushed her skin. Sensation overwhelmed her as she landed with a soft, plump thud into the belly of her new god. Ziza took in the darkness, swum in it. It was nothing like the violent nothingness of her home for the past two centuries. For here she could smell, taste, feel. She could hear the cries of the girl carrying her, loud and unrelenting. Sully had never been with child before, and she didn’t understand the pain that overtook her so sudden as she shoveled the last gallon of dirt over the graves of her masters. Spasms in her abdomen convinced her she was dying. As she fell backwards to the ground, her belly turned giant and bulbous. She stared up at the crescent moon and spat at it for the way it mocked her with its half-smile. Sully hated that grinning white ghoul, and with all the spite at the fates she could muster, she howled and she howled and she howled at it. She howled until she became part wolf, a lush coat of gray fur spiking from her shoulder blades and spine. It was magic from the dead land that Ziza brought with her, where there was no border separating woman from beast.
The unnamed narrator tries to reconnect with his estranged brother Robert, despite Robert’s penchant for transgressing boundaries. Robert’s latest kick is a series of streaming videos by a new age guru called Rudyard Vespra, who promises enlightenment through “ascension”.
“You may not have known about this portal before beginning my program and that’s okay. I’m here to help. I’m here to help you access those hidden parts inside yourself, so you can release your full potential, release what has always been inside since the beginning of time.” The video ended and I thought Rob was snoring again, but then I turned and saw that he had his palms pressed into his eye sockets. “I fucked my whole life up,” he said, heaving a little. Then he started crying so hard he couldn’t breathe. I stayed quiet. He’d get it out of his system, and we’d move on, pretend it never happened. “Why couldn’t somebody just tell me what to do?” He said more words that aren’t worth repeating and eventually the crying stopped. “Would you like another drink?” I said when it was over. He said yes, and then he said, “If only I had something like this when I was eighteen.” He pointed at the TV. Vespra’s face still lingered there. “This shit, if I had had this shit, I would have been fine.”
Vore is a new kind of game, one you play in your dreams. Until it crosses over into the waking world.
The game begins: There’s a girl with long hair, wet from drowning, and a white dress stained at the hem by mud. She smiles. You can’t see her face, but you know she smiles. “Do you want to play Vore?” she asks. “Do you want to play? Do you?” This is the last chance for you to terminate the experience. If one of you says no, you’re woken up and given a refund. You will not be allowed to be partnered together in any future attempts to play. Say yes. She will gently eat your faces, pushing her mouth of vacuum into your skull cavity, sucking you clean until there’s just a ring of bone and hair at the back of your head. Don’t worry: you can still see. It’s exhilarating, being eaten into facelessness. You are made anonymous, unburdened of all your shame and responsibility and social expectations. She ties your bodies together with wire. She’s just begun.
The above choices are based on my own personal tastes from my own reading experiences, and are meant to be taken as such. There are many other “best of” and “recommended reading” lists that offer up quality reading choices for short SFF. Here are a few:
Adney and Teek, a young couple vacationing in Italy, are approached by an older man who offers them a modestly indecent proposal: $10,000 for one hour alone with Teek, the “most handsome man in this or any city.” The sexual boundaries of their relationship are loosely defined, so after getting over their initial discomfort, Teek agrees to the man’s terms. Who couldn’t use a little extra cash? Thematically, this story recalls Miller’s excellent 2016 short “Things with Beards”, by prompting the reader to ask how well we can really know another person, or even ourselves. But “Shucked” is far more unnerving, and far less optimistic, in its explorations than that story. I love the way Miller integrates some of Adney’s anxieties about their relationship early on, then uses them to sneak the fantastical element in later. Miller’s command of short-form narrative puts him in a league of his own.
Drawing its title from perhaps the most famously terrible line of poetry in English literature, Morrow’s weird tale relates the circumstances of the 1955 disappearance of author Darko Cromdahl, as told by his former lover and fellow author Marsha Waszynski. According to Marsha, Cromdahl was a boorish narcissist and talentless hack who couldn’t figure out if he wanted to be the next Lovecraft or the next Asimov, despite ample evidence he wasn’t capable of being either. So how did he write all those timeless classics of horror and science fiction? “Bird Thou Never Wert” is the best kind of genre satire: hilariously self-deprecating, but also exemplary of the genre it satirizes.
More Recommended Stories
“The Forge“, by Andrew Dykstal [Beneath Ceaseless Skies #291, November 21, 2019] Novelette
A captivating high fantasy mystery, in which the two most likely suspects in the King’s murder must determine how the assassin accomplished his mission in the most politically expedient way. Masterful plotting, especially for a non-linear narrative that juggles multiple mysteries at once.
A Canadian teen living in Paris strikes up a friendship with fellow migrant Jake, who spins a patently absurd tall tale about living under a 400-year-old curse that causes him to pursue his perpetually reincarnated lover across the centuries. Absurd, that is, until present circumstances start matching up with Jake’s story. Finely drawn characters in a lively and emotionally resonant story.
While a superflu ravages the world, the affluent have their babies raised by robot nannies inside the titular structures, meaning their children grow up without the benefit of human touch. The story has a day-in-the-life structure that gradually peels back the nuances of its near-future world. A very thorough and emotionally honest examination of a plausible science fictional premise.
An otherworldly horror disguised as a human finds unexpected kinship – one that lasts several lifetimes – in Prasad’s libidinous horror-noir story. The prose is a tantalizing mix of the hard-boiled and the sensual.
Ava is a new hire at Mythique, a high-end restaurant famous, and controversial, for serving food made from magical animals. As if the high-pressure environment and routinely abusive boss weren’t bad enough, Ava’s advancement is hindered by her friendship with co-worker Zach, who is kind and helpful but has serious boundary issues. Engaging and believable from the start, with wonderful characters and a memorable and well-detailed setting.
Sunan was born on the colony world Xiva, soon-to-be dismantled thanks to his efforts to show the authorities that one of the world’s native species, the Pitka, is intelligent – a fact the early colonists worked hard to keep from colonial authorities. The story does a great job of personifying Sunan’s internal conflict over his home world, and the ending is powerful.
Bolander’s expressive cat-scratch prose and narrative gymnastics grow more audacious with each published story, while she has honed her vision into a diamond-hard stare. As a young girl, Whistlecage has a transformative experience when she learns to play the flute at the urging of an old witch. Far in a post-disaster future, another young girl finds Whistlecage’s flute in the wreckage of a museum, and it seems there is some magic left in it yet. Like “The Only Harmless Great Thing”, this is a story about bold ideas and hard truths crossing generational distances, of art as cultural memory and revolutionary impulse.
“Sacrid’s Pod“, by Adam-Troy Castro (Lightspeed Magazine Issue 112, September 2019) Novelette
Most of Castro’s AIsource Infection stories have debuted in the pages of Analog, so it was a pleasant surprise to find one out in the wild, and a great one at that. “Sacrid’s Pod” isn’t dependent on any of the other stories or story sequences and serves as a great primer for those unfamiliar with Castro’s future history. Sacrid is a teenage girl consigned to a life sentence in an inescapable prison by her ultra-orthodox parents as punishment for transgressing their culture’s religious doctrines. Her unusually helpful AI-jailer assists her as she engineers a different kind of prison break. More than a quarter century into his writing career, Castro still displays an near-miraculous talent for twisting every genre trope imaginable into something new and exciting and fun.
This was the first story I encountered in my September reading, and it set quite a standard for everything that followed. “Winter Wheat” is the intimate yet epic story of a farming community upended by the introduction of bioengineered climate-resistant wheat. The story’s protagonist, Jimmy, can’t grasp the science of farming, a fact that frustrates him when his father’s attempts to create his own strain of wheat conflicts with corporate control of production. With its memorable setting and characters, and an intelligent, multi-layered take on some vital near-future issues, this may be my favorite sci-fi story of the year.
Raya wants to hurl a brown dwarf into a collapsing star to save a planet of octopodes from the gamma ray burst of an impending supernova, despite the fact that the resulting collision will incinerate her and make her the first human to die in several millennia. Why? Because that would be metal as hell, of course. Then the “frickin’ Unimind”, the human race’s AI caretaker, arrives to muck the whole plan up. In truth, the conflict between Raya and the Unimind never rises above mild tension, but the spectacle of Raya’s plan and her motive for doing it are the stars of the show. If you fail to read this story with a big old stupid grin on your face from the first page to the last you should probably stop reading things.
Coles’ piercing fever dream of a story is accompanied by W.B. Yeats classic poem “The Second Coming” (and also a content warning, which should be heeded), the perfect tone-setter for this tale of a young girl named Bootsie and her monstrous pregnancy. As much a story of containing Whitmanian multitudes as it is about birthing biblical Legions, it’s also as eerie and unsettling as any horror story you’re likely to read this year.
A bittersweet capstone to the late Dozois’s long and legendary career in SFF, about a very old wizard who makes one last trip home, and a young girl who beseeches him to send a little bit of magic her way. The kind of story that might be a little too perfect for its own good, but who’s going to complain?
Asimov’s always throws a little “spooky action” (pun intended) at readers this time of year, and for the second year in a row Feldman has written one of my favorites. Sonia moves in to an old witch’s house, and takes on her ex-husband’s teenage daughter as an apprentice as she starts her own witch’s shop. When the intelligent, racoon-like albatwitches that live in the nearby woods start making incursions on Sonia’s property, she knows they’re after something and that can’t be good. The albatwitches are too fiercely unknowable to be the antagonist here; the real conflict is between the stubbornly pragmatic older woman Sonia and the fearlessly naïve youth Gina, who believes the albatwitches are trying to befriend her.
“Four Accounts of the Discovery of Orchard Street (From The Knowledge: An A-To-Zed of That City We Almost Know)” collated by S.R. Mandel, cartographer (Galaxy’s Edge Issue 40, September/October 2019) Short Story
This is probably the first time I’ve dropped a story on this list just because I didn’t know what else to do with it, only that by some strange impulse I read it over and over at least a half dozen times and found new pleasures in it each time. There’s nothing else I can say about it that you can’t glean from the title. Just let it happen.
“Dave’s Head“, by Suzanne Palmer (Clarkesworld Magazine Issue 156, September 2019) Novelette
I marvel at Palmer’s gift for pasting together what seems like a bucket list of absurd story concepts and not only weaving them into a compelling narrative but imbuing them with a deep, rich mythology that reaches out beyond the boundaries of the story. In “Dave’s Head”, an engineer and her senile uncle go on a road trip with their roommate, a sentient animatronic dinosaur head called Dave, so Dave can find others like himself at a long-shuttered theme park. It’s a testament to the good will Palmer has engendered with her readers that we’re willing to swallow the wacky pill she hands us, no questions asked, knowing the rewards and surprises that await us.
“In the Stillness Between the Stars”, by Mercurio D. Rivera (Asimov’s Science Fiction, September/October 2019) Novelette
Another spooky story from Asimov’s, this one a little more traditionally Asimovian. A psycho therapist is woken from cryogenic sleep early in a colony ship’s voyage to help a woman who appears to have woken her nightmare up along with her. Well-drawn characters and sturdy, suspenseful plotting, and a whole lot going on in the background for SF geeks to chew on.
You’re probably smarter than I am and won’t try to read a magazine literally called NIGHTMARE right before bedtime. Though just in case that’s not warning enough for you, for fuck’s sake don’t read “Sweet Dreams are Made of You” and then try to go to sleep. Wolfmoor’s testimonial-style horror vignette about a game called Vore that you play in your dreams – until it crosses over to the waking world – has all the punishing beauty of a black metal song and the suffocating dread of a dream you desperately want to scream yourself awake from.
After England’s devastating war against the robots ends, the plan for reintegrating the automatons mostly involves “hats and parasols and cutout mustaches made of cheap aluminum”. And also corgis. If that gives you some indication of the tenor of Cassandra Khaw’s id-poking sci-fantasy treat, I’ve got news for you: this is the kind of story that turns on a dime. Full of tragedy and cynicism and caustic wit, and bolstered by the author’s inexhaustible energy and descriptive ingenuity (at one point, a character’s eyes are “like cracked ice…The uneven striations in her irises compounded the effect, invoking the impression that her pupils had somehow shattered.” WTF.), by the end we get the idea the author doesn’t give a shit what anyone else thinks speculative fiction is supposed to speculate about.
Solomon’s crimson-hued tale of Sully, a teenaged slave with “a heart made of teeth” who turns on and kills her captors, is the kind of story that blocks all the emergency exits. The disturbance caused by Sully’s actions knocks something loose in the ether and she gives birth to Ziza, a fully-grown teenager who died as a slave centuries before. Soon, Sully’s rage births an “army of revenants” in place of the racist whites she exacts her vengeance on. This story keeps the reader suspended somewhere between the malicious logic of a fever dream and the order imposed by a conventional narrative structure. What it doesn’t do is allow the comfort of escape.
Christopher Smart lives in an asylum, where Satan looks to hoodwink the beleaguered poet into writing an epic apologia for his benefit. Smart’s loyal cat companion Jeoffry isn’t having any of that. An absurdly entertaining bit of escapism, especially for lit nerds.
“Thin Places“, by Kay Chronister (The Dark Issue 50, July 2019) Short Story
The townspeople of Branaugh operate under an uncanny state of affairs, one that does not suffer newcomers well. School teacher Miss Augusta knows what it means when the new lighthouse-keeper’s daughter arrives at her door, and though the other townsfolk implore her to send the girl away, she can’t bring herself to do it. Chronister’s unsettling anti-fable offers a world where community, and the security it promises, is a site of horror rather than of safety.
Haskins often writes about characters who sidestep conventional moral boundaries in favor of their own spiritual reality, and while the results are usually capital-D Dark, there is also a poignancy that creeps up on readers willing to reset their own parameters (temporarily, one hopes). “The Brightest Lights of Heaven”, about a pair of childhood best friends who make an unbreakable pact that transcends time and distance, is devilish fun, and quite touching in its own twisted way.
“I wonder what my dog is thinking” is a premise with more than a few miles on it. In “The Work of Wolves”, author Tegan Moore flips the coin by giving us Sera, an enhanced-intelligence search-and-rescue dog who has to figure out what her new handler is thinking in time to save the day. Engrossing with a nice brisk pace, it’s a quintessential Asimov’s piece: just hard-enough sci-fi to satisfy our inner lizard brain, though with the emphasis squarely on character-driven plotting and action.
“Black Matter“, by Vivian Shaw (Pseudopod #655, July 5, 2019) Short Story
The premise of Shaw’s story, in which a consulting necromancer (ahem, contingency communications specialist) for the NTSB investigates a plane crash by interviewing the deceased witnesses, reads like a modern day paranormal fantasy while the narrative builds like something out of pulp-era Weird Tales. It also has the feel of a “pilot episode”, and with its pitch perfect first-person narration and provocative hints of larger forces at work, a return trip would be welcome.
There is a cool casualness to A.C. Wise’s prose that contrasts nicely with the sometimes startling events that punctuate her narratives. “How the Trick is Done” is a tale of death and resurrection and revenge, in which Angie, the magician’s assistant/girlfriend (and true progenitor of his most famous trick) decides it’s time to part ways with the man. It’s an understandable choice: the women he uses and discards can do the real magic he takes credit for. The story has an unusual structure that works despite itself—we already know what happens to the magician from the start, yet Wise manages more than a few surprising moments before events come full circle.
Featured Image from the cover art for Apex Magazine Issue 120 by Godwin Akpan
“Raices (Roots)“, by Joe Ponce (Anathema Magazine Issue 7, May 2019) Short Story
Jerry lives on the US side of the US-Mexico border, recently joined by his long-estranged sister Lola and her son Macho. Lola and her family fled drug traffickers in Veracruz, but the authorities captured her husband David and older son Chucho at the border and they are now in legal limbo while they await their hearing. Then Macho gets a strange infection that gives him tree-like features, and soon the other migrant children follow suit. The emotional exhaustion Jerry experiences while just trying to help his family survive is palpable, while all rage and fear and paranoia of America’s current uptick in anti-immigrant nationalism project onto the children (they might set down roots, literally). “Raices (Roots)” is a gripping and beautifully composed story of people just trying to survive when no good options are available.
“The Wilderling“, by Angela Slatter (The Dark Magazine Issue 48, May 2019) Short Story
Readers are so used to getting twists and surprises at the end of a story we forget there are other strategies at the author’s disposal for creating a memorable resolution. Giving away the ending too soon seems counter-intuitive, but that’s just what Angela Slatter does in her story of a woman’s disturbing fascination with a beast-like child (or child-like beast?) that lives in the wild near her home. Once the last act of the story begins, we know with a fair certainty exactly how things will turn out—the trick is that we really, desperately hope it doesn’t happen, and like a maestro Slatter keeps stringing us along until damn near the last sentence.
From the ashes of our broken civilization, the surviving human population fashioned a new utopian world intent on learning from the mistakes of the past. Scattered pieces of the old world remain, treated with novel fascination by the citizenry. 84-year-old Mai relates a story from her youth, of receiving a message from a former lover to meet him in New Atlantis (the London ruins) where he has discovered a working “Millennial Vault” of uploaded consciousnesses living in an artificial reality. Tidhar’s amazing sci-fantasy dreamscape depicts the overlap between a tech-heavy future past and a more pastoral future present, and people living a life at once simple and clear and obvious, but also completely alien. Mai begins by summarizing her tale: “I visited Atlantis. I came back. That is the story. Everything else, as the old poet once said, is just details.” That’s the understatement of a lifetime.
“Fugue State“, by Steven Barnes and Tananarive Due (Apex Magazine Issue 120, May 2019) Short Story
Arthur has lost interest in work and his hobbies, distressing his wife Charlotte. The reason for his dulling intellect seems to be his obsession with a cultish political figure known as The Reverend. Arthur insists he’s never been happier and can’t understand his wife’s objections. When Charlotte investigates the Reverend phenomenon, the answers don’t come in quite the way she expects. The authors take their time setting the table for an ending that is as disquieting as it is unavoidable. It’s tempting to read the “Fugue State” as allegorical to our present political climate, with Arthur suffering from a kind of supernatural Fox News Dad syndrome. But “ignorance is bliss” is an old saying, as old as messianic figures offering truth and salvation at a terrifying cost.
“Dune Song“, by Suyi Davies Okungbowa (Apex Magazine Issue 120, May 2019) Short Story
With the world swallowed up by desert except for the village of Isiuwa, the elders keep the population confined by decree—anyone who leaves Isiuwa endangers all who remain. Nata’s mam was one such deserter, and Nata’s determination to know what her mother found outside the gates supersedes any poorly reasoned rules society imposes on her. “Dune Song” asks us, in expressive and lyrical prose, if freedom is worth the cost for its own sake rather than for the promise of reward.
Teenagers make great protagonists because they exist at a turning point between the youthful desire to transgress boundaries and the adult desire to uphold them. In Wasserstein’s multiverse drama, the 16-year-old narrator knows she’s living in a simulated universe and can “Snap” from one iteration of the world to another. She escapes her native reality, where her mother is terminally ill, to check in on alternate versions of their life in rundown South Topeka; sometimes they are happy, sometime they aren’t even there, and sometimes she runs across another version of herself looking for or running away from the same thing. Every time she Snaps, she alters each new reality just by her coming and going, but no one else is better or worse off for it. Anyone who has ever felt like a stranger in their own hometown can relate.
I must have an affinity for weird whaling fiction. Like Nibedita Sen’s excellent “Leviathan Sings to Me in the Deep” (Nightmare Magazine #69, June 2018), Caldwell’s story draws the reader into a tense sea voyage tinged with supernatural menace. Beyond that, the two stories couldn’t be more different. Where Sen depicted a rapid and surreal decent into madness, Caldwell crosses whaling lore and the legacy of the Middle Passage in his tale of John Wood, a former slave working as a carpenter on a whaling ship who receives warning from a god of his ancestors about the ship’s fate. Complicating the “will they believe me in time?” narrative are his shipmates’ attitudes about John’s race and sexuality. Great characters, high stakes, and a well-executed plot.
Navid’s job is to dredge the river for bones that his father can use to enchant the coats his mother makes. A nobleman comes to them offering a lifetime of riches for the titular item, which would make the wearer impervious to harm. With only thirty days to complete the task and his family’s honor, not to mention their financial future, at risk, Navid gambles his life and his freedom on securing the materials they need in time. An intense story with a captivating sense of urgency.
“The Wiley“, by Sara Saab (The Dark Magazine Issue 48, May 2019) Short Story
This wild, alt-history sci-fi horror story follows Manon, a rare woman tech guru in Silicon Valley who struck gold during the dot-com craze of the early oughts. A spectral being borne of her own loneliness haunts her, though it may be her salvation when her revolutionary software spawns a devastating computer virus. Thoughtful and circumspect as much as it is creepy and discomfiting, with gooseflesh-inducing visuals at the climax.
Sen has a knack for drawing blood from a stone in her stories; she excels at creating expansive narratives from self-imposed formal restrictions. In this very short tale of terror (or possibly wonder? A little of both?) she never deviates from the guidelines the title establishes but still paints a broad and memorable portrait of the history of a near-annihilated people’s diaspora. There is also an undercurrent of satire with some pointed, if affectionate, jabs at academic writing (“If I have to deal with one more white feminist quoting Kristeva at me…”).
Vaughn’s generational epic typifies the brand of widescreen, high-concept, character-and-action-driven novellas Asimov’s is famous for. It begins with a Russian fighter pilot who finds an unusual creature (with an unusual appetite) riding along on her missions against the Nazis in WW2 and follows the legacy of her family’s relationship with the creature through the centuries to come. The author’s concise prose and her eye for detail serve the story well.
Featured Image from the Cover Art for “Yiwu” by Feifei Ruan
My short fiction recommendations are split into five categories: Part 1 – Dark Fantasy/Horror and Space-Based Science Fiction; Part 2 – Earthbound Science Fiction and First World Fantasy; Part 3 – Second World Fantasy. Each category features a “Desert Island Pick”, while the remaining picks are listed alphabetically by author. Each title is accompanied by a short synopsis and a quick excerpt for the story. Excerpts may contain mild spoilers.
Not every story fits neatly into any one category. Some could work in more than one category, some defy categorization altogether. I did my best to place them where I thought they fit best. Links are included for stories that are available to read online, or to purchase information. Sometimes the traditional print magazines will make stories available online during award season, so I will update the links when possible.
Short Stories (<7500 words), Novelettes (<17,500), and Novellas (<40,000)
In 1975 a meteor shower seeds the planet with strange alien life forms. This story looks in on nine different days throughout the long life of LT, who seeks to understand them and help the world adjust to this new reality.
This was the popular theory: that aliens had targeted Earth and sent their food stocks ahead of them so there’d be something to eat when they arrived. LT had spent long, hot days in the apartment listening to the boyfriend while Mom was at work, or else following him around the city on vague errands. He didn’t have a regular job. He said he was an artist—with a capital A, kid—but didn’t seem to spend any time painting or anything. He could talk at length about the known invasive species, and why there were so many different ones: the weblike filaments choking the trees in New Orleans, the flame-colored poppies erupting on Mexico City rooftops, the green fins popping up in Florida beach sand like sharks coming ashore.
Ellen is doing a field study of a newly discovered, intelligent sea creature. She is also searching for her father, who disappeared in the midst of his own study. Ellen hopes to get one of the creatures, a female, to trust her enough to show her where she keeps her eggs.
Ellen wonders if their mutual subjects entranced him as much as they do her, whether he ventured out against his better judgment for another blissful hour in their midst. The ice below her creaks, creaks, creaks – footsteps on an old staircase. She shivers, burying herself into her oversized thermal jacket. She replaces her headphones and listens to the colony’s chatter from below. The twist of a dial slows it down, makes it indecipherable. Makes language out of noise. She closes her eyes, leans against her rucksack, and clicks her tongue in near-perfect mimicry.
Cu is an uplifted chimp, the only of her kind, who works as a police detective. Her current case has her investigating a murder that appears to have been committed by remote control.
“Yeah,” Huxley says, letting the bag fall to his lap to sign back. “No receiving or transmitting from interrogation. As soon as she lost contact with that little graft, she panicked. The police ECM should have shut it down as soon as she was in custody. Guess it slipped past somehow.”
Acting under instructions, Cu suggests. Huxley see-saws his open hands. “Could be. She’s got no obvious connection to the victim. We’ll need to have a look at the thing.” Cu scrolls through the perpetrator’s file. Twenty years’ worth of information strained from social media feeds and the odd government application has been condensed to a brief. Elody Polle, born in Toronto, raised in Seattle, rode a scholarship to Princeton to study ethnomusicology before dropping out in ’42, estranged from most friends and family for over a year despite having moved back to a one-room flat in North Seattle. No priors. No history of violence. No record of antisocial behavior. Cu checks the live feed from the interrogation room. Heart-rate down, she signs, tucking the tablet under her armpit. Time to talk.
“What is Eve?” by Will McIntosh [Lightspeed Magazine Issue 95, April 2018; 10,145 words]
Ben is shipped off to a new school with the other “good kids”, the ones who follow instructions and always behave and turn in their homework and get good grades. They are told they have a special new classmate, and that it’s important to act normal around her. It’s not easy to act normal around Eve.
It was taking up two seats pushed together. It was black, and lumpy with all of these folds, and, oh God, were those her eyes or her ears? She had four legs and no feet and she was wearing a purple dress and weird round patent leather shoes and a bow in her hair, only it wasn’t hair, it was more like black spaghetti, and I couldn’t breathe. The thing in the seats flexed, and suddenly it wasn’t lumpy anymore—it was hard, and sharp, with pointy barbs sticking out of it. It hissed like a giant punctured tire. “Direction,” the man’s voice said through my earpiece. “Do not stare. Put a damned smile on your face and find your seat and look at the board.”
Yaphet is a “player” living in a simulated reality ruled by an AI called Goddess. He dreams of flying, though their laws forbid it.
A burnt leaf, edged in incandescence, rose up into the fog, higher and higher, halfway to the treetops before the glow of heat left it. Never before had Yaphet seen a leaf fall up. He stood entranced, watching the flight of the embers, until his father called him again. When he was seven – almost eight – after much experimentation and failure and reassessment (though he was too young to know such words or describe what he was doing) Yaphet launched his first successful fire balloon.
Bodden volunteers for a radical new brain experiment. The researcher, Heidi, can’t help but fall for his charms, even though she knows he’s a creep: she has the data to prove it.
Bodden’s name would float over the table, and people would look at me, signaling their curiosity if not out-and-out concerns. The man was gorgeous, sure. Maybe that was reason enough. And he was certainly young and possibly vigorous. Was I the sort of lady that liked lustful distractions? Bodden also had a talent for funny words and warm, caring noise. When empathy was necessary. But he was one of three sociopaths in our study. Every week, without fail, he came into the shop, undergoing another comprehensive scan for money. And every week, he proved himself to be a self-absorbed boy. No smart professional woman could have feelings for a creep like that. That’s what the glances were saying, and the silences, and those thoughtful sips of coffee while the tea drinker offered little details from last night’s date. Bodden and I were together for ten weeks. Then it was finished, and I was shocked to discover how sad that made me feel.
“Sour Milk Girls” by Erin Roberts [Clarkesworld Magazine Issue 136, January 2018; 6447 words]
Teenager Ghost is an orphan under the care of The Agency, who hold onto the troubling memories of their wards’ prior lives and return them when they come of age. Ghost learns that the new girl, Princess, still has all her old memories and Ghost resents her for it.
“You really fucking don’t,” I said. “Me, Flash, Whispers . . . we don’t have something real to share. All those cute, sweet memories of being a kid? Snatched off us when we got to the Agency and locked away where we can’t get ’em. All we know is school and the third floor and a few fosters who couldn’t be bothered to keep us. That’s it. That’s all we fucking got.” Princess stared at me for a second, eyes wide, then walked out, saying I didn’t know and Sorry under her breath like she was doing a Whispers impression. I stayed for a while, playing back the couple of half-decent memories I did have, like the day I figured out how to get the computers in the back to do what I wanted, like a real hacker, or the times the Agency let us go down to the first floor and play with the babies, and then the ones that made my neck shiver, like all the times fosters sent me back ’cause I didn’t fit into any of the smiling family photos—too old, too dark, too “hard to handle.”
Colton escaped the influence of the nanobots called “grains”, and in doing so he sacrificed his emotions. Now he is helping a caravan escape them as well.
“Quiet,” Mita said, glancing around as if she could see the microscopic grains within the land. “Talking of this will jinx our travels.” “Our caravan didn’t use the laser,” Colton protested. “The grains know the difference.” “Drop it!” Mita snapped. She then sighed and shook her head. “Sorry. But you know everyone else will shit if they hear you talking boneheaded stuff like this.” Anyone else in the caravan would have been insulted by Mita’s words, but Colton knew she was right. He didn’t understand how day-fellows saw the world. To him there were no jinxes. There were merely the grains, the microscopic machines which protected all the lands and existed in every animal and plant and insect and anchor. If the grains judged you wrong—decided you’d harmed the environments they protected—you were dead, jinx or no jinx. Still, he’d been with these day-fellows the last eight years and had learned not to debate their beliefs. He also appreciated that Mita always used polite words such as ‘different’ to refer to him, instead of the terms the other day-fellows whispered behind his back. Words like disturbed; sick; psychopath.
“Yiwu” by Lavie Tidhar [Tor.com, May 23, 2018; 5305 words]
Esham works in the market selling lottery tickets that instantly grant the winners their heart’s desire. One day, when one of his regulars, Ms. Qiu, buys a ticket, something unusual happens and he can’t understand why.
It was just an ordinary day, the way Esham liked it. Order and routine, a knowing of what was expected. At the usual time, Ms Qiu emerged from the market doors. She crossed the road. She came to the stand and smiled at him and said, “Hello,” and asked for a ticket. He sold her one. She scratched the silver foil with a 10-baht coin. She looked at the card, almost puzzled, then shrugged and left it on the counter. “No luck?” Esham said. She pushed the ticket towards him. He glanced down, barely registering the impossible at first: the three identical symbols of a beckoning gold cat that meant it was a winning ticket. He glanced up at Ms Qiu. Nothing happened. “Thank you,” Ms Qiu said. She gave him a last, almost bemused smile, then turned and walked away. Still nothing happened. He stared at the good luck cats. Nothing. Ms Qiu crossed the road and walked away the way she always did, until she turned a corner and was out of sight.
At age fourteen, Amelia is supposed to find and catch her fairy soon. Every girl does: it’s a rite of passage. But Amelia just wants to use science to figure out what the deal is with all these stupid fairies.
When her mice weren’t running the mazes, she kept them in gallon pickle jars with holes punched in the lids, with newspaper to shred and ladders for stimulation. There were four pickle jars waiting for new occupants, clean and lined up under her window. She grabbed one, unscrewed the lid, and took it back downstairs. Outside, the sun was low in the sky. She crunched her way across the snowy yard, back to the car, looking nonchalant. She didn’t see the fairy right away. She opened the car door, sat down in the passenger seat, and waited. The fairy bobbed in front of her, maybe ten feet away. She looked at it, then looked away. It came closer. Closer still. She could see the delicate folds in the fairy’s dress, the shining strands of its hair, the tilt of its head, when she sprang. She didn’t want to touch it—she wasn’t entirely convinced that touching the fairy wasn’t what actually made the magic happen—but she swooped up with the jar and brought the lid down, trapping the fairy inside. Then she screwed the lid down, took it upstairs to her room, and set it on a shelf next to her mice.
Ben learns that his estranged brother Denny, a failed screenwriter, died of a heroin overdose. He travels to Hollywood to deal with Denny’s affairs and finds some things in his brother’s apartment that shouldn’t exist, not in this world anyway: a stack of videotapes of movies that were never made.
Retrieving The Ghoul Goes West, I glanced at the sticker on the case: Dimension Video. Then I turned on the television and slotted the tape into the VCR. The film opened with a black-and-white shot of the Amazing Criswell seated behind a desk, delivering a bizarre monologue about “the mysteries of the past which even today grip the throat of the present to throttle it.” The speech was portentous and theatrical, overcooked, the framing static. Then the image faded, to be replaced by a flat desert landscape with a saguaro cactus, obviously fake, on the right side of the frame. The credits came up on the left, each new name preceded by the sound of a pistol shot. Autry had first billing, Lugosi second, both of them above the title. The rest of the cast followed, among them Vampira and Paul Marco and Tor Johnson, Wood’s usual suspects. My only thought as the attribution credit came up— Written Directed Produced by Edward D. Wood, Jr. —was that I was looking at some kind of bizarre forgery. Then Lugosi, in full Dracula garb, appeared on screen, rising from a casket in a dim crypt that looked like a suburban garage. It was unmistakably him. By that point in my thesis research, I’d seen virtually every movie Lugosi had made three or four times. I knew the shape of his face almost as well as I knew my own.
From a one line entry in a 1784 Mount Vernon account book (“By Cash pd Negroes for 9 Teeth on Acct of Dr. Lemoire”), historian Clark spins nine fantastical stories of the men and women those teeth originally belonged to.
The second Negro tooth belonging to George Washington came from a slave from the Kingdom of Ibani, what the English with their inarticulate tongues call Bonny Land, and (much to his annoyance) hence him, a Bonny man. The Bonny man journeyed from Africa on a ship called the Jesus, which, as he understood, was named for an ancient sorcerer who defied death. Unlike the other slaves bound on that ship who came from the hinterlands beyond his kingdom, he knew the fate that awaited him–though he would never know what law or sacred edict he had broken that sent him to this fate. He found himself in that fetid hull chained beside a merman, with scales that sparkled like green jewels and eyes as round as black coins. The Bonny man had seen mermen before out among the waves, and stories said some of them swam into rivers to find wives among local fisher women. But he hadn’t known the whites made slaves of them too.
“Flow” by Marissa Lingen [Fireside Magazine Issue 53, March 2018; 2956 words]
The magical forest-dwelling naiads know Gigi is one of theirs by her “flow”, the way she carries herself, which marks her as her father’s daughter. Things change when a sinus infection permanently damages her equilibrium.
I return to the first stream I ever met. I walk so slowly through the forest, the tip of my cane making unfamiliar sounds against the rocks and the leaf mold of the path. I am exhausted from balancing on such a long walk. There are two naiads sitting by the stream, one of them visiting from a local lake I also know. I greet them eagerly, finding the right place to put my cane to step forward to the banks of the stream. The stream naiad shrieks. The lake naiad steps in front of her protectively. “What’s wrong with you?” I ask them. They don’t answer. They are staring at me with wide, terrified eyes. I haven’t been there in a year, a full turn of the sun and then a little bit. But I didn’t think they would forget so quickly. They didn’t when I was away to college, when I was hanging out with other naiads somewhere else for awhile. “Guys, come on, what’s your problem?” The stream naiad quavers, “Who are you?” The naiads don’t recognize me.
Bette is devastated by the murder of her beloved brother, Cary. She longs to experience his last moments, and she believes her schoolmate Hiram can help her with that.
“Hey,” I said to Hiram Raff, who was right where I thought he’d be, polishing shoes in a corner where hardly anyone ever looked. Off the high school baseball field, Hiram was all awkward stammers and intentionally poor posture, ashamed and afraid of the adulation he had unwillingly earned. “Hey,” he said, a little nervously, like What does this person want from me? “How you doing?” I asked, fingers rubbing at an invisible spot on the counter. “I’m all right,” he said, and his ruddy, lovely face said he most certainly was not. I felt awful, like I was frightening a small animal for selfish reasons, but I could not stop now. “I heard you can make people see things,” I said. Lines appeared between his eyes, and at the edges of his mouth. Poor boy looked close to bursting—into tears, maybe, or, simply bursting. I was a monster, I knew, but I had to say what I’d come here to say. I owed it to my brother. “Can you help me? Can you come on a road trip with me?” I had two pieces of information about Hiram Raff, both of them ill-gotten, gossip-derived. Common knowledge. Things he was deeply, irrationally ashamed of, for reasons that were his own. The first was what I’d already said: that under certain circumstances he could cause visions—of the past, of the future, of fictional scenarios that had never been and would never be, and whether he or anyone else could tell the difference was subject to much conjecture. The second was that he was had a congenital, terminal case of politeness. Hiram was a boy who could never tell anyone No.
(Unlike most Lightspeed stories, Conspicuous Plumage is not currently available to read online, but only in a purchased copy of the issue.)
The Filipino deity Mebuyen helps guide innocent souls to the afterlife. Usually she only gets infants, but now older children and adults who have been murdered by the police are coming her way. And her river isn’t washing them clean like it’s supposed to, so she can’t even send them on their way.
I think they took me to a side street. It smelled like pee. There was garbage on the floor. I prayed to the Lord that I trusted He would not put me in hell even if I am transgender. I don’t pray very often but I was scared. I kept thinking don’t let it be painful, I don’t want to die suffering. They asked me two questions and I answered, then the one that shouted at Jel came forward, and the one that dragged me told him to shoot. And he shot. Babygirl sighs. “I’m glad I’m not in hell,” she says. “At least—I don’t think this is hell?” “It’s not,” Mebuyen says. “But what is this place? Does this mean I don’t have peace?” Mebuyen hands her a glass of milk. “This is Gimokudan—my domain. You’re safe here. But as for your second question, I would like to know the answer too.”
By turns lighthearted and tragic, Zhang Ran chronicle of a hapless time traveler is one of the most entertaining stories I’ve read this year. The “Master Zhao” of the title sits down with a casual acquaintance, Zhang, to relate his tragicomic escapades in the many divergent timelines he’s lived in. Dudak’s translation finds a loose, playful tone that guides the story’s many mood swings to its poignant conclusion.
Jamieson-Lucy discards the classic “golden age” sci-fi narrative of heroic problem solving in favor of a more realistic one: “That was how science worked: it was difficult and demoralizing until finally one of the pieces broke through and turned into discovery. Each discovery paved the way for more difficult, demoralizing work…” In Jamieson-Lucy’s near-future, we’ve hit peak radioactive waste and scientist Lynn is soldiering through the demoralizing work of finding an innovative way to store it safely. “Sequestration; Vitrification” is excellent, character driven sci-fi, and its confluence of science and art and activism is invigorating.
Leah is an academic specializing in ghost stories who ends up living a ghost story of her own. That’s a good elevator pitch, but it hardly does the story justice. There are many layers to peel back in “The Thing About Ghost Stories”, not the least of which is how we define what a ghost is and how they affect our lives. This works both as an engaging first person narrative and as an exercise in metafiction.
Y.M. Pang is a 2018 debut author who arrived like an unexpected storm, publishing eight stories over five months from June to November. I don’t know if she planned it this way, but she finished the year with panache, offering her best yet in the venerable F&SF. “The Lady of Butterflies” is the story of Lady Rikara, First Sword of the Kejalin Empire, who becomes a companion and protector to a strange woman named Morieth who appears one day in the Emperor’s courtyard. Morieth’s presence in the palace sets off a cascade of political tensions, forcing Rikara to make a hard choice about where her loyalties rest.